This is not strictly a Musescore question, but I hope noone will mind me sneaking it in.
I'm working on a medley of 5 popular local tunes for a saxophone quartet. It's going fine and things are taking shape nicely, but my modulation between key signatures is sounding a bit boring. At the moment I'm using the simple V7 triad of the key I'm going into like this, (concert pitch, key sigs in bold modulation between):
C - D7 - G - F7 - Bb - Bb7 - Eb - C7 -F
Is there a 'formula', for want of a better word, for selecting additional modulation chords. Playing around on my keyboard, (I'm not a keyboard player though), I found that diminished chords before the V7 seem to fit in rather well, but not consistently.
Any advice would be most welcome.