Overview

This chapter focuses on Instruments setup and basic score information setup. You should already be familiar with the basic workflow of Musescore covered in the quickstart tutorial Create your first score.

Instruments

An instrument in Musescore is an abstraction that contains the tablature(s) or staff(s) (the most useful aspect, see Page layout concepts: staff), notation styles (clefs, noteheads etc), the musical behaviors (transposition, playable range) and settings related to playback audio created by the Musescore synthesizer.

An Musescore instrument contains staff(s) that can represent a single or multiple real world instrument(s), for example in Beethoven's Symphony No.3, Op.55 First edition published by Cianchettini & Sperati, n.d.[1809] London, the third staff Corni 1 & 2 in Eb represents two French horn players:

To transcribe this, you should add one Musescore instrument "Horn in Eb", and rename it, playback is not affected by naming.

Real world instrument, instrument section, vocals, and choir, are supported in Musescore in several ways:

• A Musescore Instrument that has the same name such as "Piano", "Violin", "Violins (section)", "Strings", "Soprano", "Voice", "Women" and some percussions such as "Timpani", "Concert Bass Drum", "Cymbal" (concert). Similar items might have different playback.
• "Drumset" Musescore instrument, a single item containing "Snare", "Kick Drum", "Bass Drum", "High Tom", "Ride Cymbal" etc. There is no seperate MuseScore Instrument for these. See Drumset customization
• A short SoundFonts brush snare sound is shipped with Musescore, see Mixer.

Use pre-configured template to create a new score, you can also setup instruments in any score (any of its Parts).

MuseScore contains over 500 instruments, see https://musescore.org/en/instruments. To suggest adding a missing instrument, see https://musescore.org/en/contribute.

Choose instruments

When creating a new score, in the New Score dialog, click to open Choose instruments tab. Some methods mentioned in "Changing instruments after score creation" also open this window.

Instruments are filtered by the type/genre shown in the dropdown menu under Family heading on the left. "Common" is selected by default, which displays some of the most common instruments or voices you are likely to need. NOTE: To show all available instruments, you must select "All instruments".

Instruments are grouped into the instrument family they belong to. If you know the instrument/voice you are looking for, you can simply type its name, or part name, in the search bar under Instruments heading . Press the clear button (X) to clear the selection.

Adding instruments

To add an instrument to your score:

1. Double click an instrument under Instruments

or

1. Select an instrument under Instruments
2. Click the → button to add the instrument to your score (Pro tip: double-clicking an instrument name does the same thing).

Staffs on score are arranged according to the order shown under the Your Score heading on the right. The Order … dropdown shows the current staff ordering preset.

Changing order of instruments by making them soloist

Soloist ordering position is a practice on orchestral scores. For example, in the 'Orchestral' ordering practice, soloists are above the strings. Soloist does not mean "only one on score".

Select the style in the Order … dropdown list under the Your Score heading.

To rearrange an instrument (all of its staffs) to soloist position:

1. Select an instrument under Your Score
2. Click the "Make soloist" button.

Changing order of instruments manually

To manually change the order of instruments:

1. Select an instrument under Your Score
2. Click on ↑ or ↓ to change its position

Removing instruments

To delete an instrument from your score:

1. Double click an instrument under Your Score

or

1. Select an instrument under Your Score
2. Click the trash icon

You can also delete multiple instruments at once by first holding down Shift and selecting multiple instruments, then clicking the trash icon.

Create from template

Scores can also be created from pre-configured templates. A template is a complete instrument setup for a particular type of score, ordered and styled according to conventional practice. Templates are organized into categories based on musical style or ensemble configuration.

To create a score from a template:

1. Click Create from template
2. Select a group of templates from the Category panel
3. Choose your desired template from the center panel
4. Click Done

You can also search across all available templates in the search bar.

Visit Templates and styles to learn more templates, including how to create your own for future use.

Additional score information

Click Next in the New score dialog to specify additional information in the Additional score information screen, such as key signature, time signature, tempo, pickup measure (anacrusis or upbeat measure), and the number of measures.

Note that this is one convenient way to add info while creating a new score, but not the only way. There are other methods you can use anytime later on, covered in their respective chapters, such as Keyboard shortcuts, Using the palettes, project properties etc.

Key signature

By default, new scores are created with a key signature containing no sharps or flats (C major). Specify a different key signature by clicking the button under Key signature. Major keys are shown first; minor keys can be displayed by selecting the Minor tab.

Time signature

New scores will be created in 4/4 by default. Change this by clicking the button under Time signature. Change the number of beats per bar using the arrows in the spin box, and change the beat quality from the dropdown menu. You can also select common and cut-common (alla-breve) time signatures in this popup.

Tempo

By default, new scores will play at a tempo of crotchet (quarter note) = 120 beats per minute (bpm). Metronome markings are not automatically included in new scores.

To customize the starting playback tempo, and to show a metronome marking above the uppermost stave:

1. Click the button under Tempo
2. Tick Show tempo marking on my score
3. Select the desired beat value
4. Enter the desired number of beats per minute (20-400) in the text field or use the up and down arrows to scroll through the tempo range.

Learn more about tempo text indications, metronome markings, and playback speed in tempo markings.

Measures

New scores are created with 32 measures and no pickup (anacrusis). To change the starting number of measures in your new score:

1. Click the button under Measures
2. Enter the desired number of measures in the Initial number of measures field

Learn more about Adding and removing measures at any time after score creation.

To start your score with a pickup:

1. Click the button under Measures
2. Tick Create pickup measure
3. Enter the desired number of beats for the pickup in the text field
4. Select the metrical value of the pickup measure from the drop-down menu

You can always create a pickup later. Learn how to do this in Pickup and non-metered measures.

Title and other text

Enter text in the fields at the bottom of the New score dialog, and MuseScore will automatically place it in an appropriate format in your new score. You can enter text labels for the score's:

• Title
• Composer
• Subtitle
• Lyricist
• Copyright

This information also becomes data in the score's project properties (menu File), which you can change at any time.

Once you've finished specifying additional score information, click Done to confirm your selections and create your score.

Changing instruments after score creation

There are three ways to change existing score instruments:

• Use the keyboard shortcut I while in the Score tab
• Click Add from the Instruments panel (If this panel is not yet visible, press F7, or select View → Instruments)
• Click Replace instrument in the Staff/Part properties dialog

This chapter explains music creation on standard staves only, see also tablature and percussion chapters.

Overview

Musescore supports inputting music via a computer keyboard, a mouse, a MIDI keyboard or MuseScore virtual piano keyboard. Using the computer keyboard input method is quick and easy, simply choose a duration, then type the pitch name (A-G) for a note or a 0 (zero) for a rest.

MuseScore supports virtually unlimited undo to revert input mistake. Click the undo button on the far right of the toolbar, or use the standard keyboard shortcut Ctrl+Z (Mac: Cmd+Z).

Entering notes

This chapter explains the default input mode, step-time, where notes and rests are entered one at a time. It is based on the logic that, when a new note or rest is added by the user, the subsequent notes and rests adjust their duration ( note value or length ) automatically without affecting the total number of beats in any measures. See also Alternative note input methods chapter.

Selecting a start point

To add a note or rest to the score, start by selecting a location to begin entry. You can use the mouse or the keyboard navigation commands.

Entering note input mode

Next, enter note input mode by pressing the pen icon in the toolbar, or using the keyboard shortcut N. A note input cursor is now visible, it is the thin and tall light blue box spanning the whole staff, its left border line is dark blue. Appearance of note input cursor indicates that Musescore is currently in note input mode. The box is positioned at the time or beat position that the next entered note or rest is being added to.

If you forget to select a starting location first, MuseScore places the cursor at the last input position, or in some other logical place, so be sure the cursor is where you intend.

Once in note input mode, enter notes left to right by first selecting a duration and then entering a pitch or rest. When you are done entering notes in this location and are ready to do something else—for example, entering notes at a different location, adding other markings, or performing other operations like copy and paste—you can leave note input mode by clicking the note input button or pressing N again. You can also press Esc to return to normal mode from note input or any other mode.

Selecting duration

While in note input mode, select a note value for the next note to be entered by:

• Clicking a corresponding note icon in the Note Input toolbar (directly above the score window)

• Entering the keyboard shortcut 1–9 corresponding to the desired duration

  

The keyboard shortcuts are designed to be efficient and easy to remember. The most common note values are eighth, quarter, and half (UK: quaver, crochet, minim) and these are represented by the keys 4, 5, and 6 respectively (the middle row of a numeric keypad). Shorter note values are represented by smaller numbers, longer values by larger numbers. The full list is as follows:

• 64th (hemidemisemiquaver): 1
• 32nd (demisemiquaver): 2
• 16th (semiquaver): 3
• Eighth (quaver): 4
• Quarter (crotchet): 5
• Half (minim): 6
• Whole (semibreve): 7
• Double whole (breve): 8
• Longa: 9
• Dot: . (changes the selection into a dotted note/rest)

Other durations, including double dots and 128th notes, can be selected if you first customize your toolbar and/or define your own keyboard shortcuts.

Note: it is also possible to select duration using a MIDI keyboard, if you set up the keys you wish to use for this in advance.

Selecting pitch

Once you have selected a duration, you can enter pitches using the computer keyboard, mouse, MIDI keyboard, or virtual piano keyboard.

Selecting pitch using the computer keyboard

This is normally the most efficient way to enter notes in MuseScore.

To enter a note of a given pitch using the computer keyboard, simply press the corresponding letter (A–G) on your computer keyboard.

Notes entered in this way will replace any rests or notes that were already present at the cursor location. To add a note to an existing note or chord, press Shift while entering the note. See the section on chords below for more information.

When entering notes by letter name, MuseScore will choose the octave that is closest to the previous note on that staff. This works well for passages that move mostly by steps and small leaps. If you need to change the octave for a larger leap, use Ctrl+↑ and Ctrl+↓ (Mac: Cmd+↑ and Cmd+↓) to raise or lower the pitch of the previously entered note by an octave.

Selecting pitch using the mouse

To enter a note using the mouse, position your mouse on the desired line or space in the staff, then click. The mouse cursor will show you a preview of the note you are about to enter to help you place it accurately.

If any notes already exist at the location where you are entering a new note, the new note will be added above or below it. To replace existing notes instead, press Shift while entering the new note.

It can be difficult to enter notes very far above or below a staff with this method, because MuseScore may interpret clicks far from the intended staff as an attempt to enter notes onto the staff above or below. Instead, try entering the note an octave lower or higher, then raise or lower the pitch by an octave using Ctrl+↑ and Ctrl+↓ (Mac: Cmd+↑ and Cmd+↓).

Note: although one would normally enter notes left to right, the mouse entry method actually allows you to enter a note at any location where there is an existing note or rest to replace.

Selecting pitch using a MIDI keyboard

If you have a MIDI keyboard connected, you can enter notes by simply pressing the corresponding keys.

When playing notes on a MIDI keyboard, they are entered consecutively so long as you release each key fully before pressing the next. If you press a key before releasing the previous key, the new note is added above or below the previous note.

Notes entered via MIDI keyboard that are outside of the current key signature will have accidentals applied automatically, but the spelling of the accidental may not be what you intend. To change the enharmonic spelling of a note, press J.

Selecting pitch using the virtual piano keyboard

You can also input notes using the on-screen Piano keyboard window. To display this, use View→Piano keyboard or press the shortcut P. The window can be closed the same way.

To enter a note of a given pitch, simply click the appropriate piano key with your mouse.

As with the computer keyboard, notes entered in this way replace any existing notes or rests. To create chords instead, press and hold Shift while entering notes.

Note: to resize the keyboard, position the mouse within the window and hold Ctrl (Mac: Cmd) while scrolling up or down.

Entering chords

For the purpose of this section, chords are any combinations of multiple notes all starting at the same time, all sharing the same duration, and all sharing a single stem.

If you wish to enter notes that sound together but start at different times, have different durations, or have separate stems, see Voices. Text of the form "Dm7" is a chord symbol, discussed in Chord symbols.

Just as for individual notes, chords can be entered by computer keyboard, mouse, MIDI keyboard, or virtual piano keyboard. Except for MIDI keyboard (where you can play multiple notes at once), the notes are still entered one at a time, but in a way that tells MuseScore to combine them into a chord rather than add them sequentially.

• To add a note to a chord using the computer keyboard, press and hold Shift while entering the note
• To add a note to a chord using the mouse, click the location where you wish to add the note
• To add a note to a chord using a MIDI keyboard, either play all the notes at the same time, or play them one at a time but do not release one key before pressing the next
• To add a note to a chord using the virtual piano keyboard, press and hold Shift while entering the note

When using Shift+A–G to add a note to a chord, the note will be added above any notes already present at the cursor location. You can also specify the note to be added based on the interval above or below the currently-selected note.

• To add an interval above the selected note, use one of the following:
  • From the menu bar, select Add→Intervals and choose an interval from the list;
  • Press Alt+1-9.
• For intervals below the selected note, you will need to apply a custom shortcut of your own (see Preferences).

Entering rests

Rests can be entered using the computer keyboard or mouse. The duration is selected in the same way as for notes (e.g., using the toolbar or keyboard shortcuts 1–9). Then instead of entering a pitch as you would for a note, choose one of the following options.

• From the computer keyboard: press 0 (zero)
• From the note input toolbar: click the rest icon, then click in the score

• Using a mouse: right-click in the score

  

Accidentals

Standard accidentals (flat, natural, sharp, double flat, double sharp) can be entered either by selecting one before entering the pitch it applies to or by adding them to a note already entered.

Selecting an accidental before entering a pitch

To specify an accidental to be applied to the next note entered, you can use the buttons on the Note input toolbar above the score or the corresponding keyboard shortcuts. This can be done either before or after selecting the duration.

The default accidental shortcuts are:

• Flat : -
• Sharp : +
• Natural : =

Unlike selecting duration—which applies to all subsequent notes until you change it—an accidental is applied only to the next note entered. But the usual rules of music notation apply, so if you apply a flat to a given note, any subsequent notes you enter of that same pitch within the same measure will be flatted as well, even though no explicit flat sign will be added in front of them.

Adding an accidental after entering a pitch

Appropriate accidentals are automatically added to a note when you increase or decrease its pitch:

• ↑: move pitch up a semitone (spells with sharps).
• ↓: move pitch down a semitone (spells with flats).

You can also apply an accidental to a note by clicking the appropriate icon in the Accidentals palette. This palette also contains a large number of microtonal and other special accidentals.

Adding courtesy/cautionary accidentals

Although the rules of music notation say that a barline cancels an accidental, and that any note on the same staff line or space in the next measure returns to the pitch indicated by the key signature, it is considered good practice to add a courtesy (also called cautionary) accidental anyhow. These do not change the pitch of the note, so they cannot be added with the ↑ and ↓ keys. However, any of the other methods described above work.

While parentheses or brackets are not required for courtesy accidentals, some editors do choose to use them. To add parentheses or brackets around an accidental, you will need to temporarily leave note input mode, select the accidental, then either use the Properties panel to select a bracket type, or click the parentheses or brackets in the More section of the Accidentals palette.

Note: there are also a set of plugins pre-installed with MuseScore that can automatically add courtesy accidentals as needed.

Ties

A tie is a curved line between two notes of the same pitch, indicating that they are to be played as one combined note. Even though they look similar, ties should not be confused with slurs, which join notes of different pitches and indicate legato articulation.

MuseScore makes it very easy to enter ties. Because ties are always between notes of the same pitch, you do not need to enter the pitch for the second note—just select the duration and enter the tie; MuseScore will add the note automatically. After entering the first note, follow these steps to create the tie:

1. Select the duration for the second note

2. Click the tie button on the toolbar or use the shortcut T

   

The tie command adds the second note and ties it to the first in one step. If the first note you entered is part of a chord, then the tie command actually creates an entire second chord with the same pitches as the first and ties all of the notes.

Tie placement (options)
Up to MuseScore 4.1, the previous default behaviour was to draw ties to single notes 'outside' (connecting the top/bottom of the noteheads) and to draw ties to chords 'inside' (connecting the right and left of noteheads). As from MuseScore 4.2 tie placement can now be configured either way for single notes and chords; the default for new scores is that all ties are drawn 'outside'. As well as a score-wide style setting (in Format > Slurs & ties > Ties), this can be overridden for any given tie (via Properties > Tie placement).

Note: ties normally connect adjacent notes in the same voice, but MuseScore also supports ties between non-adjacent notes and between notes in different voices as described in the section on editing.

See also

• Editing notes and rests
• Voices
• Tuplets
• Alternate note input modes
• Tablature
• Drum notation
• Slash notation
• Noteheads

Overview

A MuseScore voice is a line of music on a staff that has its own rhythm independent of other music on the same staff. Other notation programs may refer to it as a "layer".

"Voice", in a different sense, may also refer to a pitch range in vocal music—soprano, alto, tenor, bass etc. It is important not to mix up the two meanings by assuming, for example, that the four "voices" in an SATB choir are equivalent to MuseScore "voices" 1–4 (see below); that would be to confuse chalk with cheese.

MuseScore allows up to four voices in one staff: Voice 1, Voice 2, Voice 3, and Voice 4. When writing music on a staff, one usually starts in voice 1 then moves on to voice 2. Voices 3 & 4 are less commonly used.

Two voices on the same staff are normally indicated using opposing stems—an upper voice with stems up and a lower voice with stems down:

In a four-part SATB arrangement on two staves, you would use voices 1 & 2 on the top staff for soprano and alto, and voices 1 & 2 on the bottom staff for tenor and bass:

Entering notes and rests in multiple voices

The first step to enter multiple voices is to determine whether you need to write notes as voices in one staff, or spread voices among multiple staffs such as four voices among two staffs of a piano, or among multiple instruments such as four voices on four string instruments. You should consider the design of MuseScore's notation function and your production needs. Do not base your decision merely on academic reasons.

• MuseScore sets stem directions automatically based on the voice used and which voices are used in each measure. In measures where only Voice 1 is used, but no notes or rests are written on Voice 2, Voice 3 or Voice 4, stem directions of notes are determined by pitch; notes above the center line have stems pointing down, while notes below the center line have stems pointing up. Otherwise, the stem directions are determined according to the voice: up for Voice 1 and Voice 3, down for Voice 2 and Voice 4.
• To assign an overriding stem direction setting manually, use the Flip direction button on the toolbar, or the keyboard shortcut X, also see Stems and flags.
• Writing on voice 2 right away may seem correct academically, but MuseScore will create rest symbols in voice 1 automatically which might be redundant in some cases. Popular options in this scenario are to either manually hide rests afterwards (jump to how to) or to simply use voice 1 instead of voice 2.
• It's not yet possible to assign different sounds to individual voices, so you may have to use multiple instruments. For example, you cannot assign a Soprano VSTi to voice 1 and a Tenor VSTi to voice 2, only one or the other.
• Sometimes you must use multiple voices in one staff to create certain visual notation result in MuseScore, even if they aren't different voices musically. For example, in MuseScore, inside one voice, a chord can only be created with notes of the same duration. If constituent notes of a chord have varying durations, you must use separate voices to write them. A list of common similar scenarios can be found on the Handbook 3 Voices page.

Using multiple instruments

If you decide you need to write different voices as notes on different instruments, start by creating multiple instruments using Setting up your score: Changing instruments, then edit clef symbols as required, and then compose on Voice 1 in all of these staffs. A common example is to write four voice SATB open score on four instruments' Voice 1.

To convert separate staffs into one staff containing multiple voices, or to do the opposite, see Implode and explode. A common example is SATB open score <-> short score conversion,

Enter notes and rests in multiple voices in one staff

To enter new notes into a Voice:

1. Select your starting point in the score.
2. Click the pen icon on the toolbar or press N to enter note input mode.
3. Select the desired voice using the toolbar icons or press one of the keyboard shortcuts Ctrl+Alt+1–Ctrl+Alt+4
4. Enter notes and rests normally as described in Entering notes

You can repeat these steps to enter notes into other voices.

Note: to enter new notes, make sure you are in note input mode before selecting the desired voice, otherwise you will change the voice of any currently-selected elements instead.

Note: the note toolbar only displays voice 1 and 2 icons by default. You can make all voice icons visible using the controls that appear when you click the gear icon on the toolbar. For more information, see the section on customizing the note input toolbar.

Editing notes and rests in multiple voices

Adjusting rests

To make sense notation wise, rests should be used in each existing voice whenever necessary to complete beats of a measure, Musescore creates them automatically. In measures containing multiple voices, rests are automatically added to voices of lower number whenever appropriate. MuseScore also automatically positions rests to avoid overlapping other score elements.

To hide, delete, or adjust the position of these rests to create better layout, use one of the following methods:

Hiding or deleting rests

Rests may be hidden by selecting them and unchecking the Visible box in the Properties panel or using the keyboard shortcut V.

Rests in voices 2-4 may also be deleted by selecting them and pressing Delete. However, this leaves a "hole" in the voice that can be difficult to edit later. To restore missing rests from a voice, you can use the commands in Tools→Voices to exchange the contents of the voice with those of voice 1, which will fill the holes with rests again. You can then use the same command to move the contents of the voices back where they were.

Note: to ensure the correct duration of each measure, voice 1 rests can be hidden, but they cannot be deleted.

Positioning rests

While MuseScore will normally avoid collisions with other voices, it can sometimes be helpful to move rests up or down to create more space or to clarify which voice they apply to.

To move a rest vertically, select it and press Up or Down to move it a staff space at a time.

For more information on manual positioning, see Changing position of elements.

You can also change the default vertical offset between rests and elements in other voices from 1 space to 2 spaces in Format→Style…→Rests

Changing voice of existing notes

Notes originally entered into one voice can be moved into another voice, depending on the situation. For more information, see Changing voice in normal mode.

Combining voices into chords

In cases where the rhythms match, notes originally entered as multiple voices can be combined into chords in a single voice. For more information, see the Implode command.

Separate chords into Voices

To separate a chord written in one voice into separate notes of different voices:

1. • Manually select the notes
   • Press the toolbar button to assign a Voice to selected notes, or use the Ctrl+Alt+1–Ctrl+Alt+4 Keyboard shortcuts.
2. Explode onto an empty stave, and then implode. See Implode and explode

See also

• Instrument Parts (and see Part in the Glosary)
• Editing notes and rests
• Stems and flags
• Positioning of elements
• Implode and explode

Accessing alternative note input methods

In addition to the default step-time note entry method, there are several other methods by which notation can be entered in MuseScore.

To enter these alternative note input methods:

1. Click and hold the Note input button in the Note input toolbar.
2. Select from one of the available note input methods.

Keyboard users can get to the Note input button by pressing Shift+Tab or Shift+F6 a few times from the score. Screen readers will say something like "Note input toolbar: Default (step-time)". Press Space on this button to open a menu that contains all the available note input methods.

Each note input mode can also be activated directly using an assigned keyboard shortcut (See Keyboard shortcuts to learn how to assign these).

Note that the selected note input method remains in effect even when you leave note input mode and will be enabled the next time you enter note input mode. So if you change to the Re-pitch method for a single passage, be sure to change back to the Step time method when you are done.

Rhythm only

The Rhythm note input method allows you to enter durations with a single keypress. This is especially useful for unpitched percussion instruments that use a single sound. In addition, you can combine Rhythm and Re-pitch methods for an efficient workflow in certain circumstances.

1. Select your starting point in the score.
2. Select the Rhythm note input method as described above.
3. Select a duration from the note input toolbar, or use the keyboard shortcuts 1-9, to add a note of the selected duration.
4. Add a dotted duration by pressing . and selecting/typing your desired duration. In this mode, the duration dot is toggled on/off for all subsequently entered durations. It's worth noting that the duration dot needs to be activated prior to entering the note value, rather than afterwards.
5. Enter rests by clicking the rest icon in the note input toolbar and select/type your desired duration. When the desired duration already has been selected (from the previous entered note), pressing 0 will enter the rest. Click the rest button to return to entering notes.
6. Continue pressing duration keys to enter notes with the chosen durations.

By default, notes are entered onto the middle staff line. You can use the cursor keys to change the pitch of the note just entered, and subsequent notes will also be entered using that pitch. You can also use Re-pitch mode to quickly enter pitches for a passage after entering the rhythm.

Re-pitch

The Re-pitch note input method allows you to change the pitches of a sequence of notes while leaving their durations unaltered.

1. Select your starting point in the score.
2. Select the Re-pitch note input method as described above, or use the keyboard shortcut Ctrl+Shift+I (Mac: Cmd+Shift+I).
3. Enter pitches using the computer keyboard, MIDI keyboard or virtual piano keyboard. Note: you cannot use the mouse to input notes in the Re-pitch method.

The Re-pitch method can be an extremely efficient way of entering notes in music with repeated rhythmic patterns. Simply copy and paste an existing passage that uses the same rhythm as your new passage, then use re-pitch mode to alter the pitches. The same technique can be used to enter multiple instrumental or vocal parts that share the same rhythm but different pitches.

Real-time

The real-time note input methods basically allow you to perform the piece on a MIDI keyboard (or MuseScore's virtual piano keyboard) and have the notation added for you. However, you should be aware of the following limitations which currently apply:

• You must pre-select the shortest duration you wish to use.
• You cannot enter tuplets in Real-time note input.
• You must enter notes onto a single staff and in a single voice, just as with other note input modes.
• It is not possible to use a computer keyboard for Real-time note input.

These restrictions mean that MuseScore has very little guessing to do when working out how your input should be notated, which helps to keep these methods accurate.

Real-time (metronome)

With the Real-time (metronome) note input method, you play at a fixed tempo indicated by a metronome click. You can adjust the tempo by changing the delay between clicks from the menu: Edit→Preferences...→Note Input (Mac: MuseScore→Preferences...→Note Input).

1. Select your starting position in the score.
2. Select the Real-time (metronome) note input method as described above.
3. Select a duration from the note input toolbar to represent the metronome click.
4. Press and hold a MIDI key or virtual piano key to enter a note of the selected duration.
5. Listen for the metronome clicks—with each click the note grows by the selected duration.
6. Release the key when the note has reached the desired length.

The score stops advancing as soon as you release the key. If you want the score to continue advancing—necessary to enter rests—then you can use the Real-time Advance shortcut to start the metronome. The same action will stop the metronome again.

Real-time (foot pedal)

With the Real-time (foot pedal) note input method, you indicate your input tempo by tapping on a key or pedal. You can play at any speed you like, and it doesn't have to be constant. The default key for setting the tempo (called "Real-time Advance") is Enter on the numeric keypad (Mac: Fn+Return), but it is highly recommended that you change this to a MIDI key or MIDI pedal (see below).

1. Select your starting position in the score.
2. Select the Real-time (foot pedal) note input method as described above.
3. Select a duration from the note input toolbar to represent the metronome click.
4. Press and hold a MIDI key or virtual piano key.
5. Press the "Real-time Advance" shortcut with each press, the note grows by the selected duration.
6. Release the note when it has reached the desired length.

Real-time Advance shortcut

The "Real-time Advance" shortcut is used to start the metronome with the Real-time (metronome) method or to tap beats with the Real-time (foot pedal) method. It is called "Real-time Advance" because it causes the input position to move forward, or "advance", through the score.

The default key for Real-time Advance is Enter on the numeric keypad (Mac: Fn+Return), but it is highly recommended that you assign this to a MIDI key or MIDI pedal via MuseScore's MIDI remote control. The MIDI remote control is available from the menu: Edit→Preferences...→MIDI mappings (Mac: MuseScore→Preferences...→MIDI mappings).

Alternatively, if you have a USB footswitch or computer pedal which can simulate keyboard keys, you could set it to simulate Enter on the numeric keypad.

Insert

Insert note input method allows you to insert and delete notes and rests within measures, automatically shifting subsequent music forward and backward within the measure. The measure duration is automatically updated as you go.

To insert a note:

1. Select your starting position in the score.
2. Select the Insert note input method as described above.
3. Enter a note or rest as you would in Step time mode. Each note is inserted before the current cursor position, and the measure duration is increased to compensate.

When the notes are entered they will be placed just before the selected starting element, which will be highlighted with a square blue marker. The start element and any subsequent notes or rests within the same measure will be shifted forward. You can move the insertion point forward and backward using the arrow keys → or ←, and the new insertion point will then be highlighted.

Alternatively, if you have only one or two notes to insert, you can do this directly with the default Step time note input method. Press Ctrl+Shift (Mac: Cmd+Shift) while adding the note by mouse or keyboard shortcut (A-G).

To insert a rest, first insert a note of the desired duration, then press Delete.

To delete a note or rest, use the shortcut Ctrl+Shift+Delete. The measure duration is decreased to compensate. The shortcut works with both the Step time and Insert note input methods.

Because inserting and notes may cause the measure duration to increase or decrease beyond what is specified by the time signature, a small "+" or "-" sign will be shown above the measure when this happens.

Inserting measures

MuseScore allows you to insert or delete measures in the score using a variety of methods. Measures can be inserted:

• After a selection
• Before a selection
• At the start of the score
• At the end of the score

Measure context menu

To insert one or more measures:

1. Right-click on a blank area of a measure
2. From the context menu, choose Insert measures
3. From the options presented, choose the location where you want the measure(s) inserted
4. Complete the dialog box and press OK.

The Properties panel

To insert one or more measures:

1. Click on a measure
2. Go to the Properties panel
3. Click Insert measures in the Measure section
4. Type the number of measures you wish to insert (or leave it as “1” to insert a single measure)
5. Select where you want the measure(s) to be inserted from the dropdown menu (or leave it as is to insert the new measure(s) after the selection point)
6. Click the + button

This popup remains open until you click another part of the user interface. As such, you can continue pressing the + button as many times as you need to insert further measures.

In addition, you can insert measures from one of two menus:

Note input toolbar

1. Select something in your score (can be anything except line objects)
2. Click the + button in the Note input toolbar
3. Navigate to Measures
4. Choose where you want the new measure(s) to be inserted

Menu bar

1. Select something in your score (can be anything except line objects)
2. Click the Add in the Menu bar
3. Navigate to Measures
4. Choose where you want the new measure(s) to be inserted

Inserting measures with keyboard shortcuts

To quickly insert one measure before the selection point:

1. Select something in your score (can be anything except line objects)
2. Press Ins

Insert more measures before the selection point by repeatedly pressing Ins.

To quickly insert multiple measures before the selection point:

1. Select something in your score (can be anything except line objects)
2. Press Ctrl+Ins (Mac: ⌘+Ins)
3. Type the number of required measures in the dialog that appears
4. Click OK

To append to the end of your score, you can use the keyboard shortcut Ctrl+B (Mac: ⌘+B) for a single measure, or Alt+Shift+B (Mac: Option+Shift+B) for multiple measures.

Add measures to a frame

It is also possible to add measures to a frame in the score:

1. Click on the frame
2. Use one of the methods shown under "Note input toolbar" or "Menu bar", or a keyboard shortcut (above).

Deleting measures

To delete one or more measures using keyboard shortcuts:

1. Select a measure (or hold Shift and select multiple measures)
2. Type Ctrl+Backspace or Ctrl+Del (Mac: ⌘+Backspace or ⌘+Del).

Alternatively,

1. Select a measure (or hold Shift and select multiple measures)
2. Right-click on any measure within the selection
3. Select Delete measures

You can also:

1. Select a measure (or hold Shift and select multiple measures)
2. Go to Tools
3. Select Remove selected range

Remove empty trailing measures

To remove any empty measures at the end of your score:

1. Go to Tools
2. Select Remove empty trailing measures

See also

Other measure-related pages:

• Measure numbering
• Measure and multimeasure rests
• Pickup and non-metered measures
• Measure properties
• Mensural notation and Mensurstrich

Not to be confused with the note input cursor explained in Entering notes and rests : Note Input mode

Select elements on a score for further action such as duplication. Elements currently selected on the score are shown colorized with the Voice each element belongs to, otherwise black by default. Voice 1 blue, Voice 2 green, Voice 3 orange and Voice 4 purple. The color can be changed under Edit→Preferences : Advanced, see Preferences chapter.

The current selection status is shown on the bottom left status bar, it changes whenever the selection is updated by the user. There are four selection status:

• "nothing is selected" status, the status bar shows blank. Press Esc to deselect all, furiously spam the button just to be safe, like all professional accountants do to calculators.
• "single item selection" status, the status bar shows the element's type.
• List Selection status, where multiple individual objects are selected.
• Range Selection status, where Musescore automatically selects useful elements between given beginning and ending time positions across a given set of staves. These elements includes all of the notes, rests, Musescore Texts such as dynamics symbols, Musescore Lines such as pedal etc. System-wide elements such as Tempo, Time signatures, Repeats, Layout breaks are not included in the automatic selection. A blue rectangle surrounding the selection is visible on the score in this status, as shown in image below.

Many common operations such as Copy and paste requires a Range Selection.

Shown below are "single item selection" of a Voice 1 item (top) and "Range Selection" and its status bar (bottom).

Selecting a single element

To select a single element with the mouse, simply click it. Clicking on an element always select it only, except for the measure element. Clicking on the blank space of a measure (inside the measure's five staff lines) to select it also automatically selects multiple objects inside that measure, the result is a Range Selection.

To select a single element with the keyboard, use the cursor keys to navigate to the element. In Normal mode (press keyboard Esc to use this mode), the left and right cursor keys ← → only navigate to the next (or prior) note or rest. Use Alt + cursor keys to navigate through all elements, including all notes, articulation, dynamics, and other markings.

Overlapping elements

[Does not work yet (Musescore 4.2), https://github.com/musescore/MuseScore/issues/10225 please help update this paragraph]

When multiple objects occupy the same position on a score and fully overlap each other, such as two notes having same pitch but in different Voices, Ctrl + click on it repeatedly to cycle through the set, until the desired element is selected.

Selecting individual element inside a note

Most commands that operate on a single note requires selecting the notehead, for example, changing the note's pitch. A note is also a collection of elements including notehead, stem, flag, dot, accidental, etc. Each of these items can be selected individually for purpose like fine tuning its layout position.

Different ways of selecting notes in a chord

Multiple notes of a single chord can be selected one by one to create a List Selection. A single chord can also be selected with the time positions it starts and ends at to create a Range Selection.

Many commonly used commands, including Copy and paste, that can be used on a single chord requires a Range Selection of it, as shown in the image above. Besides the method explained in "Creating a Range Selection" section, there is a special quick way to do it for a single chord. First make sure nothing is currently selected (press Esc to be sure) and then Shift+click on any one of the notehead of the chord.

As Range Selection automatically selects base on time positions, notes in other voices may be included unless explicitly excluded, see "Excluding elements from Range Selection" section.

The repeat selection command (R) works on a single chord, either on a Range Selection of it, and when exactly one note of that chord is selected. See Copy and paste: Repeating a selection chapter.

Creating a List Selection

Create a List Selection manually by using mouse clicks, drag select, or by using commands.

Selecting multiple elements manually

To add an object to the selection, or remove one, Ctrl (Mac: Cmd) + click on the object. This converts the selection to List Selection. Measure does not support the addition/removal method. Adding and removing element from a Range Selection also converts it into a List Selection.

Elements positioned outside of the area of any staff lines and does not overlap with other elements, can be selected together using mouse drag select. Shift + click on any blank space (outside of staff lines) and drag the cursor to create a selection box. This creates a List Selection only if no notes or rests are included, otherwise a Range selection using the "starting and end time position method" is created.

Selecting similar elements automatically

To select all elements of a given type in the entire score or in a given staff:

1. Right-click one such element
2. In the resulting menu, click Select→Similar or Select→Similar on this staff as appropriate

To select all elements of a given type between two time positions:

1. Click the first such element
2. Shift+click the last such element

—OR—

1. Create a Range selection
2. Right-click one such element
3. In the resulting menu, click Select→Similar in this range

To create more complex selections of similar elements:

1. (Optional) Create a Range selection
2. Right-click one such element
3. In the resulting menu, click Select→More
4. Check the desired boxes within the resulting dialog (see below)

The options available in the select dialog will depend on the type of element you right-clicked.

The selection options specific to notes are:

• Same notehead: notes with the same notehead group (normal, cross, slash, etc.)
• Same pitch: notes with the same pitch name, accidental, and octave
• Same string: notes with the on the same string (tablature only)
• Same type: notes of the same type (normal, acciaccatura, appoggiatura)
• Same note type: notes of the same duration, not considering presence of dots or tuplets
• Same duration: notes of the same actual duration
• Same note name: notes with the same pitch name and accidental, not considering octave
• Same staff: notes in the same staff
• Same voice: notes in the same voice
• In selection: notes within the current selection
• Same system: notes in the same system

In addition to the type-specific selection options, there are action options at the bottom of the dialog that are common to all element types. These control what happens to the selected elements, and only one of these can be chosen at a time:

• Replace selection: if checked, this action selection replaces an existing selection
• Add to selection: if checked, this action adds elements to an existing selection
• Subtract from selection: if checked, this action removes elements from an existing selection

Creating a Range Selection

A Range selection instructs Musescore to automatically select useful elements between a given beginning and ending time position across a given set of staves.

Range Selection by dragging

Suitable for selections that fit on one screen. Shift + click on any blank space (outside of staff lines) and drag the cursor to create a selection box. Include at least one note or rests to create a Range selection.

Range Selection by clicking

Suitable for selections that span several pages.

1. Click a note or rest that marks a starting / end time position.
2. (Optional) Reposition the score using command explained in navigation chapter.
3. Shift+click another note or rest that marks the other time position.

Range Selection using the keyboard

Using the keyboard alone or primarily:

1. Select the first note or rest using keyboard navigation or by clicking
2. Hold Shift while using keyboard navigation to extend the selection as you navigate

The available commands include:

• Shift+Left and Shift+Right to extend the selection one note or rest at a time
• Shift+Ctrl+Left and Shift+Ctrl+Right to extend the selection one measure at a time (Mac: use Cmd instead of Ctrl)
• Shift+Up and Shift+Down to extend the selection one staff at a time
• Shift+Home and Shift+End to extend to the beginning or end of the system
• Shift+Ctrl+Home and Shift+Ctrl+End to extend to the beginning or end of the score (Mac: use Cmd instead of Ctrl)

Special Range Selections

MuseScore includes some special commands to make command selections:

• Edit→Select all or Ctrl+A (Mac: Cmd+A) to select the entire score
• Edit→Select section to select the current section of the score (everything between the previous and next section breaks)

Excluding elements from a Range Selection

Before executing actions on a Range Selection, it is possible to exclude elements by type. For example, leaving out the lyrics when duplicating notes, rest etc of a phrase; or deleting everything not in voice 1 in a multiple voices passage. To exclude elements of a given type:

1. Open the Selection Filter with View→Selection filter
2. Remove the checkmarks next to any element types you want excluded from the selection

Note that if you exclude voice 1, you will not be able to select any measures that lack content in other voices. So be sure to restore voice 1 after performing the operation for which you are excluding voice 1. For example, if you wish to copy and paste only voice 2, make your range selection, use the Selection Filter to exclude voice 1, use Edit→Copy or Ctrl+C, then restore the checkbox next to voice 1 before attempting to select the destination to paste.

Overview

This chapter discusses the methods to edit music that already exists on a score. The reader should already be familiar with the music input method explained in the Entering notes and rests chapter.

To change notes (pitch, duration, time position, etc) and rests in a score, either use

• the note input mode, or
• the normal mode.

Making changes in note input mode

Enter note input mode by pressing the pen icon in the toolbar, or using the keyboard shortcut N. A note input cursor will then be visible: the thin and tall light blue box spanning the whole staff, whose left border line is dark blue. The presence of the note input cursor indicates that Musescore is currently in note input mode.

In note input mode, use the keyboard arrow keys ← → to move the note input cursor position to the adjacent note or rest in the current staff.

Changing duration in note input mode

There are two commands that alter the duration of an existing note or rest while in note input mode:

• Shift+W increases the duration
• Shift+Q decreases the duration

Both commands will first add or remove a dot if appropriate, then will move to the next larger or smaller note value. So for instance, pressing Shift+W on a quarter note changes it into a dotted quarter, and pressing Shift+W again changes it to a half note.

Changing pitch in note input mode

The commands for changing the pitch of a selected note while in note input mode are:

• ↑ - move pitch up a semitone (spells with sharps)
• ↓ - move pitch down a semitone (spells with flats)
• Alt+Shift+↑ - move pitch up a step diatonically
• Alt+Shift+↓ - move pitch down a step diatonically
• Ctrl+↑ (Mac: Cmd+↑) - move pitch up an octave
• Ctrl+↓ (Mac: Cmd+↓) - move pitch down an octave

Replacing notes and rests in note input mode

With the default input mode, step-time, notes and rests are entered one at a time. Step-time is based on the logic that, when a new note or rest is added by the user, the subsequent notes and rests adjust their duration (note value or length) automatically, without affecting the total number of beats in any measures.

An analogy would be "replace" or "overwrite" mode in a word processor such as Microsoft Word. To replace a note with a different one, enter the new note directly. The new note automatically overwrites what was there before, with no need to delete the old note first.

To add a new note and move subsequent notes so that they are not overwritten, either:

• Reposition the subsequent notes using cut and paste before entering new notes, or
• Use input mode other than step-time, see Alternative note input methods chapter.

Deleting notes in note input mode

To delete a note and replace it with a rest, simply press Del.

Note: If you instead wish to move subsequent notes earlier to take the place of the deleted note, there is no need to first delete the original note. Simply move the subsequent notes directly using cut and paste.

Moving notes in note input mode

Although for the most part, moving notes to a different time position is done in normal mode, there is one pair of commands that can be used to change the time position of a note or rest in certain cases while in note input. If you have two notes or rests of the same duration and you wish to exchange them while in note input mode, you can use Shift+← or Shift+→ to exchange a note or rest with its neighbor of the same duration.

Making changes in normal mode

Use normal mode by quitting from all other modes.

To quit note input mode if Musescore is currently in it, either press keyboard Esc, or click the note input button, or press N again. The note input cursor should not be visible afterwards. See "Making changes in note input mode" section.

To quit editing mode if Musescore is currently in it, press keyboard Esc. See main chapters Adjusting elements directly and Entering and editing text : Editing text object content.

Except where noted, the methods described below work on either a single selected note or rest, a list selection consisting of multiple notes or rests, or entire range selections. See the page on selections for more information.

Changing duration in normal mode

Changing selected notes to a specific note value

To change the duration of one or more selected notes in normal mode to a specific note value, simply click the appropriate duration icon or use the keyboard shortcuts 1–9.

Increasing or decreasing the duration of a selected note

To increase the duration of a selected note, you can use the Shift+W command as described above. This adds an augmentation dot if one is not already present, or changes to the next longer note value if the note is already dotted. For example, an eighth note will be changed into a dotted eighth note, and a dotted quarter will be changed into a half note. You can also use W to double the duration, thus changing an eighth note into a quarter note directly, or a dotted eighth into a dotted quarter.

The commands Shift+Q and Q perform the opposite operation, decreasing or halving the duration in the same way.

All of these commands work on only a single selected note.

Doubling or halving all note values in a range selection

If you have entered a passage using eighths and sixteenths but wish to double the durations of all notes and rests—thus doubling the duration of the passage itself—see the section on the paste half/double duration commands.

Changing pitch in normal mode

The same commands that work to change pitch in note input also function in normal mode, including single, list, and range selections. These commands are:

• ↑ - move pitch up a semitone (spells with sharps)
• ↓ - move pitch down a semitone (spells with flats)
• Alt+Shift+↑ - move pitch up a step diatonically
• Alt+Shift+↓ - move pitch down a step diatonically
• Ctrl+↑ (Mac: Cmd+↑) - move pitch up an octave
• Ctrl+↓ (Mac: Cmd+↓) - move pitch down an octave

In addition, when in normal mode, the accidental buttons on the Note input toolbar and corresponding keyboard shortcuts will toggle (add or remove) accidentals on any selected notes, thus potentially changing their pitch. The Accidentals palette can also be used to add accidentals to selected notes.

Deleting notes and rests in normal mode

To delete a note and replace it with a rest, simply press Del.

If multiple notes are selected as a list, Del replaces them each by rests individually.

If you select a range, Del replaces the entire passage with the correct rests according to the meter.

Rests cannot normally be deleted, as removing them would leave a measure with fewer beats than it should have. However, see the remove selected range command below for information on how to do this when required. Also, rests in voices 2–4 can be deleted without removing time from a measure.

Removing notes and rests and their associated time

To completely remove selected notes or rests—thus leaving the piece with fewer measures if entire measures are selected, or fewer beats within the measure if a partial measure is selected—use Tools→Remove selected range or the keyboard shortcut Ctrl+Del (Mac: Cmd+Del).

Adding ties in normal mode

Ties can be added in normal mode, but unlike in note input mode where the tie command automatically adds a note and creates a tie, in normal mode both notes must already exist.

To add a tie in normal mode:

1. Select a note that you wish to tie to the next note of the same pitch
2. Click the tie button or use the shortcut T

This works even if the next note of the same pitch is in a different voice.

If you select multiple notes, MuseScore will start a tie at each of them. You can use the technique to tie entire chords at once.

This technique also allows you to tie notes that are not adjacent, such as to show an arpeggiate-and-hold pattern on piano.

Changing voice in normal mode

A note entered into a given voice may be moved into another voice if this is musically possible, or the contents of two voices may be exchanged.

Moving selected notes into another voice

To move a selection of one or more notes into another voice, either press one of the voice buttons on the toolbar or use the keyboard shortcuts Ctrl+Alt+1–4 (Mac: Cmd+Option+1–4). Notes will be moved to the extent it is possible without compromising the current content of the destination voice.

A note can be moved into another voice if there is currently silence (rests, or nothing at all) in the destination voice at that time position for the duration of the note to be moved. In that case, the note will simply be moved to the new voice.

A note can also be moved into another voice if there is already a note or chord of the same duration starting at that time position. In that case, the note will be combined with the existing note or chord.

Exchanging the contents of two voices

MuseScore can also exchange the contents of any pair of voices. These commands work only on full measures (or multiple measures), not on individual notes.

To exchange the contents of any two voices, use the corresponding command in Tools→Voices:

• Exchange voice 1-2
• Exchange voice 1-3
• Exchange voice 1-4
• Exchange voice 2-3
• Exchange voice 2-4
• Exchange voice 3-4

See also

Entering notes and rests

The cut, copy, and paste commands can be used to reproduce entire passages of music, to move music earlier or later, to copy text or other markings between staves, to exchange the content in different measures, and more.

Accessing the commands

In all cases, the first step is to select what you want to cut or copy.

As with other programs that support cut, copy, and paste, you can access these commands from the Edit menu, from a context menu that appears upon right-click or related gesture (e.g., Ctrl+click, or two-finger tap), or via the standard keyboard shortcuts.

Command	Shortcut (Windows)	Shortcut (Mac)	Context menu	Main menu
Cut	Ctrl+X	Cmd+X	Cut	Edit→Cut
Copy	Ctrl+C	Cmd+C	Copy	Edit→Copy
Paste	Ctrl+V	Cmd+V	Paste	Edit→Paste
Swap with clipboard	Ctrl+Shift+X	Cmd+Shift+X	Swap with Clipboard	Edit→Swap with clipboard
Paste half duration	Ctrl+Shift+Q	Ctrl+Shift+Q (as of 4.2)	N/A	Edit→Paste half duration
Paste double duration	Ctrl+Shift+W	Ctrl+Shift+W (as of 4.2)	N/A	Edit→Paste double duration

Note: When using the context menu, take care to always right-click on a selected item; if you right-click on an empty space by mistake your selection will be lost!

Copying a Range Selection

As explained in the Selecting Elements chapter, in a Range selection, Musescore automatically selects useful elements between given beginning and ending time positions across a given set of staves. These elements includes all of the notes, rests, Musescore Texts such as dynamics symbols, Musescore Lines such as pedal etc. System-wide elements such as Tempo, Time signatures, Repeats, Layout breaks are not included in the automatic selection, thus are not copied.

Upon pasting onto a destination time position, the copied music replaces all of its existing content, except for its original measure rhythm structure and system-wide elements.

1. Create a Range Selection.
2. (Optional) Use the Selection Filter to exclude other elements of a given type.
3. Use the Copy command from the menu or press Ctrl+C (Mac: Cmd+C)
4. Select the first note or rest of the destination

5. Use the Paste command from the menu or press Ctrl+V (Mac: Cmd+V)

   

Copying a single element or a List Selection

MuseScore also allows copying a single element, or a List Selection of multiple lyrics, chord symbols, dynamics, articulation, or other markings from one place to another, while keeping the content such as notes in the destination intact. Multiple notes List Selection cannot be copied.

MuseScore preserves the relative time positions of the markings based on literal note value distance if possible, measure rhythm is not taken into account. This includes case of copying chord symbols and dynamics. Valid note or rest anchors are required at the destination music when pasting lyrics and articulations.

1. Select a single element (except Measure), or create a List Selection , see Selecting Elements chapter.
2. Use the Copy command from the menu or press Ctrl+C (Mac: Cmd+C)
3. Select the first note or rest of the destination
4. Use the Paste command from the menu or press Ctrl+V (Mac: Cmd+V)

Moving elements

Cut and paste commands can be used to

• move a passage to another staff, such as music on flute to clarinet, or
• shift a passage earlier or later. This method is especially useful as a way to insert or delete a note or rest and also shifts existing notes and rests to create or trim silence.

Measures (their rhythmic structure) cannot be moved, but see Adding and removing measures and Time signatures chapters. When moving List Selection, its elements' relative positions are preserved if possible, see "Copying a List Selection" section.

To move a selection:

1. Select what you want to move
2. Use the Cut command from the menu or press Ctrl+X (Mac: Cmd+X)
3. Select the first note or rest of the destination
4. Use the Paste command from the menu or press Ctrl+V (Mac: Cmd+V)

Swapping a selection with the clipboard

The swap with clipboard command combines two operations into one: (1) First it overwrites a selected part of the score with the contents of the clipboard, just like the paste command; (2) Second, it transfers the overwritten part of the score back to the clipboard, just like the copy command.

It can be used, for example, to swap two equal-length sections of a score, A and B:

1. Select section A
2. Apply the cut command
3. Select section B
4. Apply the swap with clipboard command to paste A over the contents of B while moving the contents of B to the clipboard
5. Select section A again (or just the first note, rest, or measure)
6. Apply the paste command

Like the other commands discussed here, you can access the swap with clipboard command from the menu or via a keyboard shortcut—in this case, it is Ctrl+Shift+X (Mac: Cmd+Shift+X).

Repeating a selection

A common use for copy and paste is to duplicate a given passage (including notes, chords etc) immediately after the original. Use the special repeat selection command to simplify this process.

1. Select a single element on the score, or create a Range Selection, see Selecting Elements chapter.
2. Press R

This does not work on List Selection. It works on a single chord, either on a Range Selection of it, and when exactly one note of that chord is selected. See Selecting Elements chapter. In note input mode, this command repeats the entire chord that contains the current note. This is useful for creating a series of repeated chords.

Copying a Range Selection to multiple staves

If you wish to copy a passage to multiple staves—for instance, to double music of flute with oboes and clarinets—you can use the explode command:

1. Select the passage you wish to copy
2. Extend the selection to include the staves below (e.g., by pressing Shift+↓)
3. Use Tools→Explode

This copies the original selection, assuming it contains only single notes—no chords and no multiple voices. If there are chords or multiple voices, then these are distributed among the remaining staves as described in the section on the explode command.

Paste half/double duration

If you have entered a passage using mostly eighth notes but wish to halve the entire passage to using mostly sixteenth notes, or double it to quarter notes, MuseScore provides a pair of special commands to accomplish this. You can either modify the durations of a selection in place or create a separate copy of the passage with the modified durations. To halve or double the duration of a passage:

1. Select a range to modify
2. Use the copy command
3. If you wish to create a separate copy of the passage with the modified durations, select the destination
4. Use the paste half duration or paste double duration command Ctrl+Shift+Q/W

Duplicating individual elements

Individual elements—even those that are not selected automatically in a Range Selection, like time signatures or voltas—can be selected and then duplicated using a mouse.

1. While pressing Ctrl+Shift (Mac: Cmd+Shift), and click and hold on an element
2. Drag it anywhere in the score

3. When you release the mouse button, the selected element is copied to the new location

   

See also

• Selecting elements
• Implode and explode

Overview

Musical symbols and text may be applied to your score using the Palettes panel. MuseScore comes with a set of preset palettes divided into categories—such as Key Signatures and Articulations etc. A basic working set of palettes is visible by default, but more advanced or specialist palettes can also be displayed if required.

You can add, delete, edit and rearrange items inside any palette, as well as create and customize your own palettes.

This chapter shows you how to display palettes, search for items, and how to apply palette symbols to your score. Customizing the palettes area is dealt with later in Palettes (Customization).

Accessing the palettes panel

The Palettes panel is normally displayed on the left sidebar of the main window. There are three tabs displayed at the top of the sidebar: Palettes, Instruments, and Properties. If one of the other tabs is currently being displayed in the sidebar, click the Palettes tab to display the palettes instead.

You can open and close the Palettes panel using View→Palettes or the keyboard shortcut F9. If all of the panels in the sidebar are closed, the sidebar itself closes as well, allowing more room for the score display.

Like most other panels within MuseScore, the Palettes can also be undocked to function as a separate window.

Adding palette items to your score

To add a palette item to your score, first open the appropriate palette if it is not already open, by clicking its title or the arrow icon to the left. The items in that palette will be displayed in a grid.

in general, to apply palette items to your score, you can either select the target elements in the score and then click the palette item, or drag the item from the palette to a target element. See the section on searching and navigating below for information on applying palette items via the keyboard.

Items applied to individual score elements

Many palette items—for example, articulations, dynamics, and most other text—can be applied to individual notes, rests, or other score elements. When using drag and drop, be sure to drag the palette item onto a specific score element, and do not release until the target element highlights to indicate it can accept the palette item.

It is usually more efficient, however, to select the target elements in your score first and then click the palette item. This is especially true if you wish to apply the same palette item to multiple score elements, since this method allows you can apply the palette item to multiple score elements at once.

To apply a palette to one or more score elements:

1. Select the elements you wish to apply the palette item to (single, list, or range selection)
2. Click the palette item

The palette item will normally be added to each of the selected elements. Note that with a range selected, when clicking a palette item representing text (including dynamics and tempo markings), the item will be added to the first element in the range only. System text (including tempo markings) will be applied to the top staff only; other text will be applied to the first selected element of each selected staff.

Items applied to ranges

Palette items such as hairpins, slurs, ottavas, and pedal markings are applied to a range rather than a single note or rest. The process for adding them is the same:

1. Select the range of elements you wish to apply the palette item to
2. Click the palette item

Items applied to full measures

Certain palette items such as barlines, time signatures, voltas, and layout breaks are normally applied to a measure as a whole—or a range of measures—instead of a specific note or rest. The process for adding these to the score is the same as for other palette items:

1. Select the measure or range of measures you wish to apply the palette item to
2. Click the palette item

Expanding and collapsing palettes

A palette can be opened (expanded) or closed (collapsed) individually by clicking on the title bars or the icon to the left of the title. In addition, you can expand or collapse all palettes at once, or let MuseScore close palettes automatically. To access these options, click the ... button at the top of the palette window to popup the palettes menu.

• Single-click to open a Palette: controls whether palettes are opened by single or double click
• Open only one Palette at a time: if checked, then whenever you open a palette, any already-open palettes are automatically closed
• Collapse all Palettes: immediately close all open palettes
• Expand all Palettes: immediately open all palettes

Searching and navigating the palettes

You can also search and navigate the palettes using your keyboard instead of a mouse.

Search

To search for palette elements by name, use the keyboard shortcut Ctrl+F9 (Mac: Cmd+F9), or click the magnifying glass icon at the top of the Palettes panel.

This will display a search box. As you type characters into the box, MuseScore will display any matching palette items.

To close the search box, click the "X" icon.

Navigation

The palettes are completely accessible by keyboard. The search facility described above is one method you can use to start the process, but you can also focus the keyboard on the Palettes panel by using Shift+F6 to move focus to the sidebar.

Once focus is on the palette panel, the ↑ and ↓ keys will move through the various individual palettes. You can then open and close a palette by pressing Enter. To access the elements with a palette, press → to access the palette, then ↑ and ↓ to move through the elements on the palette. Pressing Enter will apply element in the same way as clicking it.

Accessing more palette items

Some palettes also contain additional elements that are not displayed by default. To access those, click the More button at the bottom right of the palette.

You can add any of these additional items to the main part of the palette by simply dragging. For more information, see Palettes under Customization.

Adding more palettes

The palettes that are shown by default are the ones most users will need often. But MuseScore provides additional palettes that you may also find useful.

To access these extra palettes:

• Click the Add Palettes button at the top of the Palettes panel.

  

This will display a list of palettes you can add to your Palettes panel. To add any palette, click the + button next to the palette name.

Added palettes appear at the top of the panel. To reorder them simply drag them into position.

You can also create an empty custom palette that can be filled later with your own choice of elements.

• Clicking the Create custom palette button, see Palettes (Customization).

The Master palette

The Master palette is MuseScore’s repository of all musical symbols; it also provide an alternative pathway for creating custom key signatures and custom time signatures.

To display the Master palette, use the keyboard shortcut Shift+F9, or from the menu select View→Master palette.

The Master palette window is divided into categories matching the names of the default palettes (whether displayed or hidden) in the Palettes panel; in fact, the contents of each small palette are drawn from the corresponding section of the Master. The exception is the Symbols category of the Master palette which contains items not found in the Palettes panel.

Items can be applied to the score from the Master palette in the same way as from the small palettes; however, aside from applying items from the Symbols section, it is usually better to do so from the Palettes panel.

Items found in all sections of the Master palette window, except "Symbols", are functional in that they have an effect on the score: Key and Time signatures, for example. However, items from the Symbols palette are non-functional—that is, they are for display only.

See also, the chapter on Other symbols.

See also

• Palettes (Customization) for information about customizing the palettes panel.
• Other symbols for information about the Symbols palette.
• Working with images for information about how to add images to your score.

The Properties panel shows layout and playback properties of the selected objects or selected characters inside Text object. When nothing is selected, it shows the properties of the score. It is an upgraded version of Inspector, it has the functionality of Text toolbar, see Entering and editing text chapter, and musescore 3 handbook Inspector , and Text editing chapters.

The Editing of the musescore 4 Handbook has also been changed. Properties customization is now explained in a different way than in Musescore 3 Handbook. They are explained inside a respective chapter that is most relevant. This chapter only discusses the panel, and the properties common to multiple objects. (To editors: feel free to move content to a most relevant chapter, if the property is not common to multiple objects)

Accessing the Properties panel

1. Open the Score tab
2. Press the default keyboard shortcut F8; or click on the Properties tab on the left side of the screen.

Properties for the score

Score properties are saved to score file (*.mscz). It is not to be confused with Workspaces.

When nothing is selected, the Properties panel shows the properties of the score.

Under the Show subheading,

• Invisible hides/shows invisible objects in a score
• Frames hides/shows Frames
• Formatting hides/shows formatting elements added from the layout palette
• Page margins hides/shows the page margin

Under the Score appearance subheading,

• Empty staves hides/shows staves that contain no notated music within a system. This setting mirrors the Hide empty staves within systems settings in the Style dialog.
• Page settings opens the Page settings dialog. Same as Format→Page Settings. See Templates and styles.
• Style settings opens the Style dialog. Same as Format→Style. See Templates and styles.

Properties for objects

When one or more objects are currently selected, the Properties panel shows the layout and playback properties common to all of them. Under Notation section, press any of the [Object Type] buttons to narrow items presented to that object type only.

Some settings common to most objects:

• Visible: Click this box to hide/unhide selected elements, or use the keyboard shortcut V. Use this feature to hide elements so they don't appear in your exported or printed score. This can be useful when, for example, applying tempo marks or dynamics solely to affect playback in MuseScore.
• Auto-place: Usually checked by default, this feature positions the selected object according to MuseScore's vertical and horizontal collision avoidance algorithms. Uncheck Auto-place to have more control over the positioning of certain elements. Learn more about this feature in Positioning elements.
• Cue size: This feature is used to create small cue notes: i.e. notes provided to assist the performer by indicating what another ensemble/orchestra member is playing at the same time. Checking the box makes any selected notes smaller, including their stems and any attached beams.
• Play: When checked, this property allows playback of the selected element. Uncheck Play to silence the element.

Inside the Playback tab

Playback feature of dynamics symbols is under active development, it may change drastically among software versions. Information provided here is valid for Musescore 4.2 beta (November 2023). It could be outdated at the time of reading. Please help update this chapter.

Under the Playback button, the playback properties is shown, if the selected elements have them.

• Velocity:
  • Only notes have Velocity property, its effect on playback is not the same as in musescore 3.
  • This property has no effect on instruments using MuseSound, see Mixer : Sound and Velocity controls.
  • The valid range is from 1 to 127. The default value is 64, regardless of dynamics symbol affecting the note. Inputting 0 automatically converts to 64. [please provide numeric details of how sound level works now, as many Musescore 3 users would find it useful]
  • Dynamics symbols no longer have Velocity property. Dynamics symbols and hairpins no longer change timbre/dynamic/loudness solely through manipulation of MIDI Velocity values. See also Dynamics chapter.
• Tuning:
  • Only notes have Tuning property. The concert pitch default 440Hz and adjustment existed in Musescore 3's Synthesizer has been removed, see Tuning controls. To use tuning value in Hertz / Hz unit to change Tuning properties which use cent as the unit, use the formula on tuning in musescore 4 .
  • They affects pitch on instruments using Soundfont [this bullet point is a work in progress, please improve this bullet point with VST and Musesounds info]

Inside the Appearance tab

• Leading space: This changes the leading space of selected elements: i.e. the space in front of the element. The leading space adjustment is applied across all staves, so that notes at the same time position remain aligned.
• Measure width:: This changes the width of the measure as a proportion of the original width: e.g. 1.5 = one-and-a-half times the default width.
• Minimum distance: This is used by the auto-place collision avoidance algorithm and applies only to elements that are applied above/below the staff by default, such as staff text, dynamics, fingerings, lines etc. It sets the minimum distance (in sp.) of the selected objects from other elements that are closer to the staff, or the staff itself.
• Offset: When newly applied, elements assume a default position. The horizontal/vertical offsets give you a more precise way of positioning an element than dragging it or moving with the keyboard arrows.
• Snap to grid: This feature allows you to constrain drag operations to increments of a desired distance. First you need to check the Snap to grid box, then press Configure grid and set the desired horizontal/vertical step distances. Switch Snap to grid on/off as required by checking/unchecking the box.
• Under the Arrange subheading, the four buttons control how overlapping elements are drawn:
  • Forwards moves the selected element in front of the next element
  • Backwards moves the selected element behind the next element
  • To front moves the selected element in front of all other elements.
  • To back moves the selected element behind all other elements, including the staff lines.
• Color: Click on this button to change the color of selected element(s). Choose a preset or custom color, or create your own by clicking the + button. This is stored for future reference in the list of custom colors to the right.

Properties for characters inside Text objects

When Text object(s) are selected (the object, not the characters), the Properties panel shows the formatting settings of the Text object. Editing these properties changes the object, it may change all of the characters inside.

When character(s) inside a Text object are selected, the Properties panel shows the formatting settings of the characters. Editing these properties only changes the selected characters. See Formatting text chapter.

Saving and restoring default values

See the main chapter Templates and styles.

Under the ellipsis menu button (three dots menu button) adjacent to a property, there are two buttons:

• Reset : removes the specific property, in effect resets the property to the default value.
• Save as default style for this score : Does these:
  • Assigns the property value to the coresponding one in the style profile used by this object currently, found under Format→Style. See Templates and styles.
  • And then clears the property value specific to this object.
  • The result is that this object does not have the specific property anymore, but it uses the value in the style profile, which is the same value, because it is being assigned just now. All objects using that style profile across the score is affected.

This chapter explains methods to fine tune the literal positioning of elements on a score for layout purpose. The more common musical editing methods are explained in Entering and editing text, and Editing notes and rests chapters.

Changing the position of elements

To fine tune the literal positioning of elements on a score, either

• Drag it, see also Snap to grid chapter, or
• Select element(s) on a score, adjust their Offset property, see Properties panel chapter. or

• Use Edit mode.

  To enter Edit mode, either

  • Right-click → Edit element on an element on a score, or
  • Select an element on a score, use the keyboard shortcut F2, or
  • Select an element on a score, use the keyboard shortcut Alt+Shift+E (Mac: ⌥+Shift+E)

  Then, in Edit mode, press the keyboard arrows ← → ↑ ↓ to move the object in step of 0.5 sp, or

• Edit it directly, this method does not work on notes, rests, and elements added from "Master palette : Symbols" (see Other symbols chapter). Select element(s) on a score, press the keyboard arrow keys ← → ↑ ↓ to move in small steps (0.1 sp). In combination with Ctrl (Mac: ⌘), they are moved in large steps (1 sp).

Read more about spatium (sp.) in Page layout concepts chapter.

Changing the shape of elements

To change the shape of elements such as slurs and ties after adding them to the score:

1. Click on the slur or tie to be adjusted
2. Click and drag the adjustment handles that appear around the element (N.b. red letters in the below diagram are for reference only)
   

Note that:

• Handles B, C, and D change the shape of the curve at that point
• Handles A end E adjust the element's length (This can also be achieved by pressing Shift+←/→ to move the ends one chord/rest at a time)
• Handle F repositions the whole line without changing its shape or length

If you wish to change the note to which a slur or tie is connected, the recommended method is to use the keyboard shortcuts described above (Shift+←/→). This is the most efficient way of changing both the visual and playback range of notes encompassed by a slur or tie.

Anchors

Some types of item – dynamics, hairpins, tempo text, pedal marks – do not have to be attached directly to notes or rests, but can also be attached to rhythmic positions within a duration. We call these anchors.

In general, items cannot be added directly to an anchor point within a duration, but must be added to a note or rest and then moved into the required position. The keyboard shortcuts to move between anchor points are Shift+←/→ (the same shortcuts that move other types of item between notes). The anchor positions are stored in the file as real rhythmic positions, so items will stay in the correct place when the score reformats.

If you select an 'anchorable' item and press Shift, you will see a visualisation of the available anchors in that measure, which look slices alternating between dark and lighter shades. The colour is determined by the voice to which the item is assigned (purple for all voices, blue for voice 1, green for voice 2, etc.) Each slice represents a rhythmic subdivision to which you can anchor the item.

Moving between anchors

To move an item between anchors, hold Shift and press ← or →:

With lines (hairpins, pedal markings), both ends can be moved independently.

By default, the subdivisions shown are half of the beat as determined by the time signature (so, in this example, half of the quarter beat, i.e. eighth notes). However, anchors will also be shown for notes on other staves which are at rhythmic positions that fall outside of these subdivisions, which means you can align an item to notes on other staves, whatever their position:

Moving dynamics to the 'end of duration' position

By using Shift+Alt+←/→, you can step not just between rhythmic subdivisions but also the end of each of those subdivisions. This is a special position; for a dynamic, the end of one duration is not the same as the start of the following one (which may have its own dynamic – or may be a rest.) This is most commonly encountered in something like this form:

To input the dynamics in this example:

1. Add a f dynamic to the note
2. Add a hairpin to the note; it will end on the rest
3. Add a p dynamic to the hairpin (which will put it at the endpoint of the hairpin, i.e. on the rest), or directly onto the rest
4. Select the dynamic and press Shift+Alt+←, which will move the dynamic to the end of the last subdivision of the previous note

Note that hairpins cannot be moved to an 'end of duration' position; if there is no dynamic, then the distinction is meaningless. Therefore, the dynamic should be moved, and any hairpins will follow.

For clarity, when moving hairpins or other lines, the subdivisions that the item spans are shaded darker so you can see the range it spans:

Working with lines

See also the main chapter Other lines.

Changing the range of a line

To change the start and end points of a line:

1. Select the line to reveal its adjustment handles
   
2. Press Shift+←/→ to move the end of the line one step at a time (a step = one note/rest, or one measure—depending on the line type).
   • Note: You can click or use Tab to move the focus between handles when adjusting. Focus on the left handle to move the beginning of the line.
3. Fine-tune the position of handles using the keyboard arrows ←/→ if required. Note that this does not affect the playback range of the line.

As with slurs and ties, it is recommended to use Shift when adjusting line length with the arrow keys to ensure that the playback range also adjusts accordingly.

Creating diagonal lines

Although lines are horizontal by default, they can be set at any angle simply by dragging the start or end adjustment handles; or by selecting a start/end handle and using the Up/Down keyboard arrows.

Editing text of Text line objects

To edit the displayed text of Text line objects ( such as "system text line", "staff text line", and "barré line", see Entering and editing text):

1. Select a text line element
2. Go to the Properties panel
3. Open the Text tab in the Text line section
4. Edit these fields
   • Beginning text
   • Text when continuing to a new system: the text to display if the object spans more than one system (page layout concept), see Page layout concepts chapter.

See also

• Other lines: Line properties
• Positioning of elements

Opening a part

MuseScore 4 automatically creates a separate (default) part for every instrument in your score.

To open all parts at once:

1. Click Parts in the toolbar (This will open the Parts dialog)
2. Click Open all

To open an individual part:

1. Click Parts in the toolbar
2. Click a part to select it
3. Click Open selected

You can also select specific parts to open at once. Do this by holding Control (Mac: ⌘) while selecting the parts you’d like to open, then click Open selected. You can also select a range of contiguous parts by clicking the first and holding Shift while clicking the last.

Closing a part

Click the X close button in a part tab to close a part.

Note that changes you make to a part will be saved with that part and retrievable the next time you open it from the Parts dialog.

Creating custom parts

The Parts dialog is tightly integrated with the new Instruments panel. This integration makes it easy for you to create parts with any combination of instruments from your score.

There are two ways to customize parts in MuseScore 4: using the default (i.e. ready-made) parts to reveal other instruments, and creating entirely new parts.

Reveal instruments in default parts

As we’ve already seen, MuseScore 4 automatically creates a new (default) part for every instrument in your score. All you have to do is open the part from the Parts dialog.

In fact, each default part already contains all of the instruments in your score – they’re simply hidden from view (except, of course, the chosen part instrument).

This means you can “reveal” other instruments within any of the default parts. To do this:

1. Open a part (as described above)
2. Select the Instruments panel
3. Click the eye icon next to another instrument

This instrument will now be visible in the chosen part.

This makes creating custom parts an incredibly flexible process. Revealing or hiding other instruments is completely non-destructive, meaning you can customize every instrument in every part, and hide or show only what you want to reveal to different players (or for different musical projects) without having to create entirely new parts each time.

Create a new part

MuseScore 4 does of course give you the option to create a completely "blank" part from scratch, allowing you complete customization control. To do this:

1. Click Parts in the toolbar to open the Parts dialog
2. Click Create new part
3. Give your new part a name
4. Click Open selected

Your new part will now be open in the Score tab, but it will appear to contain no instruments. To add instruments to this part:

1. Go to the Instruments panel
2. Click the "eye" icon next to each instrument you’d like to appear in your part

Choose which voices appear in each part

Sometimes it will be necessary to create individual parts from staves that contain multiple voices. You might, for example, want to extract separate parts for orchestral players who share a staff in the main score (E.g. Flute I and Flute II). Or you might wish to create individual vocal parts from choral scores where, for example, four voices are notated across two staves.

You'll need to first create (see above) or duplicate (see below) a part. To then select which voices will appear in a part:

1. Open a part (see above)
2. Go to the Instruments panel
3. Expand an instrument by clicking on the triangular dropdown icon
4. Click the settings icon next to the staff name
5. Select which voice(s) you want to appear in your part by ticking/un-ticking the checkboxes under Voices visible in the score

Applying styles to parts

Style settings for a wide range of engraving elements can be applied specifically to parts without affecting the main score.

To change style settings for a specific part:

1. Ensure a part has been opened and is currently selected in the Score tab
2. Go to Format → Style...
3. Make your desired style settings changes (applicable changes will be visible in the score in real time)
4. Click OK to confirm your changes

Changes you make in this dialog will affect only the part selected in the Score tab. If you want changes to affect all parts (but not the main score), select Apply to all parts before clicking OK.

Learn more about saving and loading default style settings in Templates and styles.

Managing synchronisation of score and parts

(This section describes features that are new or considerably enhanced in MuseScore 4.2.)

When you make changes to the content of the score - adding or deleting an item, or changing pitches and durations of notes, for example - these changes are always reflected in the parts, and vice versa.

However, just as you can apply different styles to score and parts, you may want the properties (position, style/appearance) of certain items to differ between score and parts. Therefore:

• When you change any property of an item in a part, that change will not be reflected in the score and the item will be marked as 'desynchronised' from the score, if it is not already;
• When you change any property of an item in the score, that change will be reflected in the part, unless that item is already desynchronised.

When an item in a part is desynchronised, its colour when selected changes to orange and, according on which properties have been changed, the toggles which appear in the Properties panel under Score and part synchronisation will switch off:

Position refers to offset, leading space, minimum distance, autoplace, direction (up/down, above/below), alignment, and a few other properties specific to certain types. Style/appearance is, essentially, all other properties.

If you have made changes to an item in the part but wish to resynchronise that item with the score, you can turn these toggles back on to reset those properties to match the score.

Text items have a third toggle, Text, which allows you to control synchronisation of the content and formatting of a text item. Unlike other properties, this must be manually switched off before you make changes to a text item in a part which you do not want to be reflected in the score.

Excluding items from parts or score

In some cases you may wish certain items to be in the score but not to appear in the parts at all, or to appear in a part but not in the score. This is not the same as simply making the item invisible, as invisible items sometimes affect the layout.

This option is available for frames, clef changes, ottava lines, staff text and system text. In the case of clefs and ottavas, excluding these items from one view will cause the notes there to be repositioned accordingly.

To exclude an item from parts:

1. Select the item in the score
2. Open Properties
3. Under Score and part synchronisation, check Exclude from parts

To exclude an item from the score:

1. Select the item in the part
2. Open Properties
3. Under Score and part synchronisation, check Exclude from score

Renaming, duplicating and deleting parts

This all takes place in the Parts dialog (accessible from the Parts button in the toolbar).

Simply click the "three dots" menu icon next to a selected part to reveal its options. Note that only newly created parts (created by clicking the Create new part button) can be deleted. All parts can be duplicated or renamed.

To duplicate any part:

1. Select a part in the Parts dialog
2. Click the "three dots" menu icon for the selected part
3. Select Duplicate from the context menu that appears
4. Enter a new name for the part (or leave the default name as is)
5. Hit Enter, or click anywhere in the Parts dialog

To rename any part:

1. Select a part in the Parts dialog
2. Click the "three dots" menu icon for the selected part
3. Select Rename from the context menu that appears
4. Type your new part name
5. Hit Enter to confirm the new name

Note you can also double click on any part in the Parts dialog to rename it.

To delete a newly created part:

1. Select a newly created part in the Parts dialog
2. Click the "three dots" menu icon for the selected part
3. Select Delete from the context menu that appears

When a part is deleted, its tab in the Score tab (if already opened) will be closed. Any customizations made to that part will also be lost. The part will also no longer appear in the Parts dialog.

Exporting and printing parts

To export parts:

1. Click File → Export... (alternatively, select the Publish tab and click Export...)
2. Check the box next to the part(s) you want to export, or click Select all to choose all parts at once
3. Select whether to export all parts combined in one file, or leave the default export setting as each part to a separate file
4. Click Export...
5. Select your destination file and name your score in your operating system's Export dialog
6. Click Save

Parts will be exported in the PDF format by default. To change the export format, select your preferred format from the dropdown menu in Export settings. You can export your parts in a range of image and audio formats, as well as the braille format for compatible printers. For more information, see File Export.

To print parts:

1. Ensure the part you wish to print is selected in the Score tab
2. Click File → Print
3. Use your operating system's print dialog to print the selected part

Note that parts can currently only be printed one at a time.

Navigation

Page navigation

Action	Windows/Linux	macOS
Zoom in	Ctrl+=	Cmd+=
Zoom out	Ctrl+-	Cmd+-
Zoom to 100%	Ctrl+0	Cmd+0
Go to first element in score	Ctrl+Home	Cmd+Fn+Left
Go to last element in score	Ctrl+End	Cmd+Fn+Right
Jump to next screen	PgDn	Fn+Down
Jump to previous screen	PgUp	Fn+Up
Jump to top of first page	Home	Fn+Left
Jump to bottom of last page	End	Fn+Right
Jump to next page	Ctrl+PgDn	Cmd+Fn+Down
Jump to previous page	Ctrl+PgUp	Cmd+Fn+Up
Find / Go to	Ctrl+F	Cmd+F

Score navigation

Action	Windows/Linux	macOS
Select next chord	Right	Right
Select previous chord	Left	Left
Go to next measure	Ctrl+Right	Cmd+Right
Go to previous measure	Ctrl+Left	Cmd+Left
Select next element in score	Alt+Right	Option+Right
Select previous element in score	Alt+Left	Option+Left
Select note/rest above	Alt+Up	Option+Up
Select note/rest below	Alt+Down	Option+Down

Note input

General

Action	Windows/Linux	macOS
Note input: toggle note input mode	N	N
Show/hide piano keyboard	P	P
Use voice 1	Ctrl+Alt+1	Cmd+Option+1
Use voice 2	Ctrl+Alt+2	Cmd+Option+2

Duration

Action	Windows/Linux	macOS
Set duration	1 – 9	1 – 9
Set duration: 32nd note	2	2
Set duration: 16th note	3	3
Set duration: 8th note	4	4
Set duration: quarter note	5	5
Set duration: half note	6	6
Set duration: whole note	7	7
Toggle duration dot	.	.
Enter tuplet	Ctrl+2 – Ctrl+9	Cmd+2 – Cmd+9
Enter tuplet: duplet	Ctrl+2	Cmd+2
Enter tuplet: triplet	Ctrl+3	Cmd+3
Enter tuplet: quadruplet	Ctrl+4	Cmd+4
Add tied note	T	T
Halve selected duration (includes dotted values)	Shift+Q	Shift+Q
Double select duration (includes dotted values)	Shift+W	Shift+W

Pitch

Action	Windows/Linux	macOS
Enter note	A – G	A – G
Add note to chord	Shift+A – Shift+G	Shift+A – Shift+G
Enter interval	Alt+1 – Alt+9	Option+1 – Option+9
Toggle accidental: flat	-	-
Toggle accidental: natural	=	=
Toggle accidental: sharp	+	+
Enter rest	0	0
Add grace note: acciaccatura	/	/

Tablature

Action	Windows/Linux	macOS
Set duration (TAB)	Shift+0 – Shift+9	Shift+0 – Shift+9
Set duration: 32nd note (TAB)	Shift+2	Shift+2
Set duration: 16th note (TAB)	Shift+3	Shift+3
Set duration: 8th note (TAB)	Shift+4	Shift+4
Set duration: quarter note (TAB)	Shift+5	Shift+5
Set duration: half note (TAB)	Shift+6	Shift+6
Set duration: whole note (TAB)	Shift+7	Shift+7
Enter TAB: fret	0 – 9	0 – 9
Enter TAB: fret	A – K	A – K
Go to string above (TAB)	Up	Up
Go to string below (TAB)	Down	Down
Toggle ghost note	Shift+X	Shift+X

Selecting

Action	Windows/Linux	macOS
Select all	Ctrl+A	Cmd+A
Add to selection: previous note/rest	Shift+Left	Shift+Left
Add to selection: next note/rest	Shift+Right	Shift+Right
Add to selection: staff above	Shift+Up	Shift+Up
Add to selection: staff below	Shift+Down	Shift+Down
Select to beginning of measure	Ctrl+Shift+Left	Cmd+Shift+Left
Select to end of measure	Ctrl+Shift+Right	Cmd+Shift+Right
Select to beginning of score	Ctrl+Shift+Home	Cmd+Shift+Fn+Left
Select to end of score	Ctrl+Shift+End	Cmd+Shift+Fn+Right

Editing

General

Action	Windows/Linux	macOS
Escape	Esc	Esc
Undo	Ctrl+Z	Cmd+Z
Redo	Ctrl+Shift+Z	Cmd+Shift+Z
Copy	Ctrl+C	Cmd+C
Cut	Ctrl+X	Cmd+X
Paste	Ctrl+V	Cmd+V
Repeat selection	R	R
Insert one measure before selection	Ins	Ins
Insert measures before selection	Ctrl+Ins	Cmd+Ins
Insert one measure at end of score	Ctrl+B	Cmd+B
Insert measures at end of score	Alt+Shift+B	Option+Shift+B
Delete	Del	Del
Delete selected measures	Ctrl+Del	Cmd+Del
Show/hide properties	F8	Fn+F8
Edit element	F2	Fn+F2

Duration

Action	Windows/Linux	macOS
Set duration	1 – 9	1 – 9
Enter tuplet	Ctrl+2 – Ctrl+9	Cmd+2 – Cmd+9
Add tied note	T	T

Pitch

Action	Windows/Linux	macOS
Toggle accidental: flat	-	-
Toggle accidental: natural	=	=
Toggle accidental: sharp	+	+
Move pitch/selection up	Up	Up
Move pitch/selection down	Down	Down
Move pitch up an octave	Ctrl+Up	Cmd+Up
Move pitch down an octave	Ctrl+Down	Cmd+Down
Change enharmonic spelling (concert and written pitch)	J	J
Move note to higher string (TAB)	Ctrl+Up	Cmd+Up
Move note to lower string (TAB)	Ctrl+Down	Cmd+Down

Notation

Action	Windows/Linux	macOS
Flip direction	X	X
Use voice 1	Ctrl+Alt+1	Cmd+Option+1
Use voice 2	Ctrl+Alt+2	Cmd+Option+2

Manual adjustment

Action	Windows/Linux	macOS
Move text left	Left	Left
Move text right	Right	Right
Move text left quickly	Ctrl+Left	Cmd+Left
Move text right quickly	Ctrl+Right	Cmd+Right
Move selection up	Up	Up
Move selection down	Down	Down
Move selection up quickly	Ctrl+Up	Cmd+Up
Move selection down quickly	Ctrl+Down	Cmd+Down

Text

General

Action	Windows/Linux	macOS
Add text: staff text	Ctrl+T	Cmd+T
Add text: expression text	Ctrl+E	Cmd+E
Add text: system text	Ctrl+Shift+T	Cmd+Shift+T
Add text: tempo marking	Alt+Shift+T	Option+Shift+T
Add text: rehearsal mark	Ctrl+M	Cmd+M

Formatting

Action	Windows/Linux	macOS
Format text: bold face	Ctrl+B	Cmd+B
Format text: italic	Ctrl+I	Cmd+I
Format text: underline	Ctrl+U	Cmd+U

Lyrics

Action	Windows/Linux	macOS
Add text: lyrics	Ctrl+L	Cmd+L
Go to next syllable	Space	Space
Go to previous syllable	Shift+Space	Shift+Space
Lyrics: enter hyphen	-	-
Lyrics: enter melisma	_	_
Add lyric verse	Return	Return
Go to next lyric verse	Down	Down
Go to previous lyric verse	Up	Up

Chord symbols, Roman numeral analysis, Nashville numbers, figured bass

Action	Windows/Linux	macOS
Add text: chord symbol	Ctrl+K	Cmd+K
Next text element	Space	Space
Previous text element	Shift+Space	Shift+Space
Advance cursor: next beat	;	;
Advance cursor: previous beat	Shift+;	Shift+;
Advance cursor: duration	Ctrl+1 – Ctrl+9	Cmd+1 – Cmd+9

Other score elements

Action	Windows/Linux	macOS
Show/hide palettes	F9	Fn+F9
Search palettes	Ctrl+F9	Cmd+Fn+F9
Add slur	S	S
Add articulation: accent	Shift+V	Shift+V
Add articulation: marcato	Shift+O	Shift+O
Add articulation: staccato	Shift+S	Shift+S
Add articulation: tenuto	Shift+N	Shift+N
Add hairpin: crescendo	<	<
Add hairpin: decrescendo	>	>

Score setup and formatting

Action	Windows/Linux	macOS
Add/remove instruments	I	I
Open instruments dialog	F7	Fn+F7
Toggle visibility of elements	V	V
Decrease layout stretch	{	{
Increase layout stretch	}	}
Add/remove system break	Return	Return
Add/remove page break	Ctrl+Return	Cmd+Return
Reset shapes and positions	Ctrl+R	Cmd+R

File Operations

Action	Windows/Linux	macOS
New	Ctrl+N	Cmd+N
Open	Ctrl+O	Cmd+O
Close	Ctrl+W	Cmd+W
Save	Ctrl+S	Cmd+S
Print	Ctrl+P	Cmd+P
Quit	Ctrl+Q	Cmd+Q

User interface

Playback

Action	Windows/Linux	macOS
Play	Space	Space
Show/hide mixer	F10	Fn+F10