With Space, the editor advances to the next note, or rest of the staff to which figured bass is being added. To move to a point in between, or to extend a figured bass group for a longer duration, see below Group Duration.
Tab advances the editing box to the beginning of the next measure.
Shift+Space moves the editing box to the previous staff note or rest.
Shift+Tab moves the editing box to the beginning of the previous measure.
Digits are entered directly. Groups of several digits stacked one above the other are also entered directly in a single text, stacking them with Enter:
Accidentals can be entered using regular keys:
These characters will automatically turn into the proper signs when you leave the editor. Accidentals can be entered before, or after a digit (and of course, in place of a digit, for altered thirds), according to the required style; both styles are properly aligned, with the accidental 'hanging' at the left, or the right.
Slashed digits or digits with a cross can be entered by adding \, / or + after the digit (combining suffixes); the proper combined shape will be substituted when leaving the editor:
The built-in font can manage combination equivalence, favoring the more common substitution:
1+, 2+, 3+, 4+ result in (or )
and 5\, 6\, 7\, 8\, 9\ result in (or )
Please remember that / can only by combined with 5; any other 'slashed' figure is rendered with a question mark.
+ can also be used before a digit; in this case it is not combined, but it is properly aligned ('+' hanging at the left side).
Open and closed parentheses, both round: '(', ')' and square: '[', ']', can be inserted before and after accidentals, before and after a digit, before and after a continuation line; added parentheses will not disturb the proper alignment of the main character.
Continuation lines are input by adding an '_' (underscore) at the end of the line. Each digit of a group can have its own continuation line:
Continuation lines are drawn for the whole duration of the figured bass group.
'Extended' continuation lines
Occasionally, a continuation line has to connect with the continuation line of a following group, when a chord degree has to be kept across two groups. Examples (both from J. Boismortier, Pièces de viole, op. 31, Paris 1730):
In the first case, each group has its own continuation line; in the second, the continuation line of the first group is carried 'into' the second.
This can be obtained by entering several (two or more) underscores "__" at the end of the text line of the first group.
Each figured bass group has a duration, which is indicated by a light gray line above it (of course, this line is for information only and it is not printed or exported to PDF).
Initially, a group has the same duration of the note to which it is attached. A different duration may be required to fit several groups under a single note or to extend a group to span several notes.
To achieve this, each key combination of the list below can be used:
Pressing several of them in sequence without entering any figured bass text repeatedly extends the previous group.
|Ctrl+6||half note (minim)|
|Ctrl+7||whole note (semibreve)|
|Ctrl+8||2 whole notes (breve)|
(The digits are the same as are used to set the note durations)
Setting the exact figured bass group duration is only mandatory in two cases:
However, it is a good practice to always set the duration to the intended value for the purposes of plugins and MusicXML.
To edit a figured bass indication already entered:
The usual text editor box will open with the text converted back to plain characters ('b', '#' and 'h' for accidentals, separate combining suffixes, underscores, etc.) for simpler editing.
Once done, press Space to move to a next note, or click outside the editor box to exit it, as for newly created figured basses.
To configure how figured bass is rendered: from the menu, select Format → Style.… → Figured Bass.
Line Height: The distance between the base line of each figured bass line, as a percentage of font size.
The following picture visualizes each numeric parameter:
Alignment: Select the vertical alignment: with Top, the top line of each group is aligned with the main vertical position and the group 'hangs' from it (this is normally used with figured bass notation and is the default); with Bottom, the bottom line is aligned with the main vertical position and the group 'sits' on it (this is sometimes used in some kinds of harmonic analysis notations):
Style: Chose between "Modern" or "Historic." The difference between the two styles is shown below:
For the relevant substitutions and shape combinations to take effect and for proper alignment, the figured bass mechanism expects input texts to follow some rules (which are in any case, the rules for a syntactical figured bass indication):
If a text entered does not follow these rules, it will not be processed: it will be stored and displayed as it is, without any layout.
|Ctrl+G||Adds a new figured bass group to the selected note.|
|Space||Advances the editing box to the next note.|
|Shift+Space||Moves the editing box to the previous note.|
|Tab||Advances the editing box to the next measure.|
|Shift+Tab||Moves the editing box to the previous measure.|
|Ctrl+1||Advances the editing box by 1/64, setting the duration of the previous group.|
|Ctrl+2||Advances the editing box by 1/32, setting the duration of the previous group.|
|Ctrl+3||Advances the editing box by 1/16, setting the duration of the previous group.|
|Ctrl+4||Advances the editing box by 1/8 (quaver), setting the duration of the previous group.|
|Ctrl+5||Advances the editing box by 1/4 (crochet), setting the duration of the previous group.|
|Ctrl+6||Advances the editing box by a half note (minim), setting the duration of the previous group.|
|Ctrl+7||Advances the editing box by a whole note (semibreve), setting the duration of the previous group.|
|Ctrl+8||Advances the editing box by two whole notes (breve), setting the duration of the previous group.|
|Ctrl+Space||Enters an actual space; useful when figure appears "on the second line" (e.g., 5 4 -> 3).|
|BB||Enters a double flat.|
|B||Enters a flat.|
|H||Enters a natural.|
|#||Enters a sharp.|
|##||Enters a double sharp.|
|_||Enters a continuation line.|
|__||Enters an extended continuation line.|