3 movements for 1st violin concerto.

I am developing and muse is a great help. orchestrating chords is my fondest new research strategy. possibiities never cease ,combinations abound. another violin concerto and piano con are in the wings as well as my first attempts at a symphony. the scherzino 3rd movement is a patiche a moment of lightness in a serious long work. these harmonies come too easily of course but is amusement a crime in 20th century work. i think not. vocal settings of logic textbook statements coming soon. if not some parts of Ash wednesday . Who hasnt tried setting Eliot to music?