Plainchant tutorial

• Jun 27, 2024 - 15:02

With some regularity, there are user posts on this forum with requests on engraving Gregorian plainchant, and other forms of unmeasured chant (although they're frequently not worded that way, exactly). I propose that a tutorial be assembled to which these requests can be directed; and, with guidance, I would be happy to write one.

The salient information--stemless note heads, lines lacking time-signatures, typing lyrics with more than one word under a note, etc.--is all available in the handbook, it just needs to be collected into one tutorial.

Note: although both are "early music" issues, unmeasured chant is very different from measured, but unmetered music which is covered in the articles on "note values extend across bar-lines" and "Mensurstrich."

Thoughts, anyone?


Comments

In reply to by Jm6stringer

Thanks! I may need a How To on how to write a "How To":-)

I meant to add that I did find one tutorial--available in English and Spanish--on notating Gregorian chant, specifically on MuseScore! However, it addresses only one of the several (modern) notation schemes; I would like to include others. It's not published on this site, but on the liturgical music blog Musica Sacra:
https://forum.musicasacra.com/forum/discussion/17988/tutorial-gregorian…

In reply to by TheHutch

Thanks! I've been tentatively outline a tutorial, but with two common styles of representing chant in modern notation*, and lots of ways to create unmeasured phrases (joining measures, deleting/hiding barlines, using "measure properties" to extend measure lengths, etc., etc.), this is proving more complex than I had initially thought, at least if I want to be thorough. Also, I'm not particularly proficient with screen-shots, hyperlinks, and the like, which would be handy in addition to text

*1) punctum represented by an eighth-note, neumes reflected through beaming--the style preferred by modern-notation publications by Solesmes.
2) punctum represented by stemless black notehead, neumes reflected through slurs--the style preferred in a lot of musicological publications, and in the (Episcopal) 1982 Hymnal.

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