Song: Tiger, Tiger by William Blake

• Dec 16, 2010 - 16:17

Growl.

Jon Corelis
sites.google.com/site/jcorelis/joncorelis

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Comments

This is one of the truly great poems of Blake.It has been set by at least 6 or 7 of the really great composers.Britten is one of my faves.He did not set it however . I thought in places u were very attentive to the words but mostly I was saddened that u did not have any harmonies nor did u venture out of the simple e minor pattern u set. Variety and the aweful nature of so much of it is what this poem is about. Perhaps trying to get at that musically would be a good idea.Also ,why solo voice? Ambitious literature needs ambitious music. Many have set this .Think about the work they have done after listening might bring a whole new world into view. Thanks for posting this it has reminded me I need to get back to vocal music. Go to youtube and hear AlbanBerg's 7 songs if u don't know them they give an example of what can be done with good poetry ,voice and harmonies. Texture,structure and attention to the words and theme will greatly enhance yo work. Hope to see more posts from you .

Very meticulous. The intervals you use are ok for a singer because luckily they form an easily intoned e minor with 7th chord. However, lyrics can often be suited to repeated or simply step by step movement. Can't help feeling that the mobility here distracts away from the interest of letting the words speak for themselves as they might in a straightforward cantabile melodic line. Most tunes move by step with leaps and bounds applied like chillis in cooking. Sparingly.

Thanks for the comments. If I understand them, it seems like one comment felt the music was too simple, the other that it was too complicated! My intention in this and other songs is to keep the melody simple for several reasons: 1) I want to highlight the words without too much musical razzle-dazzle getting in the way -- the music is basically a way of fooling people into experiencing the poem without realizing that they are "reading poetry," in other words, these are very much poems set to music rather than musical compositions incorporating poems; 2) I want to make the poems as widely appealing as possible, so I'm working basically in a popular or folk style rather than an art song context (nothing against art songs but it's just the case that they aren't a popular genre in America,) and 3) my skills at music are still too rudimentary to do anything fancier. But my songs are all subject to continued development, and I'll keep all comments in mind for the future.

Jon Corelis
sites.google.com/site/jcorelis/

In reply to by jcorelis

go on the petrucci music library, there are some wonderful texts on harmony and counter point. you've chosen a text that is widely known and that is a good thing. it frees the music, from needing to explain anything in the text, giving room to explore it. Listen to Stravinsky's Oedipus Rex and the Berg songs or even Nixon in China and Dr. Atomic, if you're more interested in American music and history

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