Beam cross from bass to treble staff
I know there is a way to get a beam in a piano part to cross from from the bass to the treble staff (or vice versa). Can you point me to instructions on how to do that in Version 3?
I know there is a way to get a beam in a piano part to cross from from the bass to the treble staff (or vice versa). Can you point me to instructions on how to do that in Version 3?
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Comments
Search for cross staff notation in the handbook. https://musescore.org/en/handbook/3/cross-staff-notation
Thanks for steering me to the correct part of the Handbook [https://musescore.org/en/handbook/3/cross-staff-notation].
What I was trying to do was insert an arpeggio of seven thirty-second notes going from a low E in the bass staff to a B in the treble staff. As far as I can determine, you CAN do this, but you can't get the stems to reverse direction when the grace notes cross to the upper staff. It works better to fudge it. What I did was to insert an extra eighth note in the preceding measure and make it into a septuplet and use that as a fake set of grace notes.
Here is the original that I was trying to transcribe:
Here is what it looks like using grace notes:
Here is what I ended up doing, adding an extra eighth note to the measure and using it for the arpeggio:
I will probably try to do something to create more space between the staves so it doesn't look so squished.
In reply to What I was trying to do was… by Jake Sterling
Great!
I didn't even manage to copy your second picture when using the grace notes :-(
Maybe you can attach it for me?
There you should be able to drag the beam of the arpeggio upwards with the mouse.
To change the spacing between the notes or grace notes, you can change the chord offset in the inspector for every note individually.
Based on your second image and after changing the chord offset, it should be possible to hide the original bar line and put a fake bar line (lines palette) after the arpeggio notes. This will give you the correct timing and a visually correct sheet.
In reply to Great! I didn't even manage… by HildeK
I didn't quite understand what you meant by, "I didn't even manage to copy your second picture when using the grace notes." So, I am just attaching that picture again. I am also going to see if I can attach the actual MuseScore file, which may be more useful. (NB: I am still using version 3 because I don't like the weird hesitation before the note sounds in version 4)
Cheers, Jake Sterling
montparnasse_grace_notes.mscz
In reply to I didn't quite understand… by Jake Sterling
Thanks for the mscz file. I'm still using MuS 3 as well.
I thought you used the grace notes in the picture and I couldn't write that in cross staff notation - it probably doesn't work either. I wanted to know how you did it.
So grace notes don't go across measures, either they stay in the second measure as grace notes or you have to use your solution with extended first measure and the tuplet.
I have a variant with grace notes (see attachment, measure 2), which I moved with the x-offset from the chord to the left and the beams with the mouse upwards, so that it fits visually. But this only works in the second measure.
Unfortunately, all solutions do not match your template exactly - neither visually nor in playback.
In reply to Thanks for the mscz file. I… by HildeK
Your grace note solution is very clever!
I think my second solution actually looks the most like the original—it's a little pokey in the playback, but my real purpose is to have a printable version, not to play it back on MuseScore, so I am satisfied—or I will be satisfied after I fiddle it around so the spacing looks better.
Thanks very much for your input. I learned a lot!
Jake
P.S. In case you are interested, the song is "Montparnasse," by Françis Poulenc.
In reply to Your grace note solution is… by Jake Sterling
I will be satisfied after I fiddle it around so the spacing looks better.
Don't forget to use 3 voices in the second measure of the treble staff to allow for the (arpeggiated) chord of half notes. So, half notes show in both treble and bass clef (as in the original).
How about this.
I used jm6stringer's brilliant suggestion of voice 3 for the septuplet (7/2 in the time of a semiquaver) and the tied minims.
In reply to [inline:montparnasse.mscz]… by rothers
That looks really good. In fact, I tried that, myself; but I couldn't get the septuplet to appear with only three beams (32nd notes or, what? "Demisemiquavers"? I am a little fuzzy on British terminology.) My septuplet came out with four beams—"hemidemisemiquavers"? Is there a trick for controlling the number of beams?
In reply to That looks really good. In… by Jake Sterling
Actually, I can't figure out what you did there. Can you unpack that for me?
In reply to That looks really good. In… by Jake Sterling
This is what I am getting (I left the voice 3 rests in and coloured it all red so you could see what I'm doing). As you can see, my septuplets are coming out as 64th notes or hemidemisemiquavers (quadruple beams).
In reply to This is what I am getting (I… by Jake Sterling
Select the voice 3 semiquaver rest that is the placeholder for the septuplet, then Add/Tuplets/Other ratio 7/2
In reply to Select the voice 3… by rothers
Yay!
Many thanks for your interest and collaboration!
Jake