Request relationship between notes and articulations when transposing
It would be very useful to me when I transpose from concert to Eb up, if articulations would automatically adjust so as not to conflict with the new note placement.
.
Do you still have an unanswered question? Please log in first to post your question.
Comments
Articulations should normally reposition as appropriate. Can you post the score you are having problems with and steps to reproduce the problem?
In reply to Articulations should normally by Marc Sabatella
C part. Transpose up M6 via "by interval" with single sharps etc.
I added my result. :)
In reply to C part. Transpose up M6 via by xavierjazz
Where do you see articulations that were not adjusted? The ones I see all seem to have adjusted just fine. For example, here are the last two measures in the original:
And here after the transposition:
Is it appearing different for you?
In reply to Where do you see by Marc Sabatella
Thanks. I was obviously too hurried and didn't actually see what was going on. :(
In reply to Where do you see by Marc Sabatella
Thanks. I was obviously too hurried and didn't actually see what was going on. :(
I guess what I really want in this case is for the ch. sym. to automatically adjust also.
In reply to Thanks. I was obviously too by xavierjazz
OK, but that's kind of a different matter. It's not about transposition at all - you'd get the same result if you had entered the notes that high in the first place.
Automatic collision avoidance is definitely a nice thought, but consider - *how* would you want the collision avoided in this case? Just move that one chord symbol? Vertically or horizontally? Or maybe move all chord symbols on that system for consistency. Or maybe the entire score, since it's likely to come up in several places. Not sayin these are unsolvable problems, but they are difficult ones that most likely, whatever MuseScore did, you'd disagree with its choice as often as not.
In reply to OK, but that's kind of a by Marc Sabatella
I'd prefer just raising the change affected, although that brings up the problem of the higher staff perhaps then interfering. In that case it would have to go to the side. (Which side?) :)
My preference then would be to the right, later in the piece.
If space isn't tight, move all chord symbols up. Alternatively, put the accent below the stave?