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The list below is a glossary of frequently used terms in MuseScore as well as their meaning. Translators of this page, should be adding the translation for each term.
- Acciaccatura
- A short grace note. See →grace note
- Accidental
- Accidentals appear in front of notes and shift their pitch.
Accidentals are used to alter the pitch of a note within a piece. The same symbols as in the →key signature are used, but they are placed before a particular note. Accidentals are for example sharps, flats and naturals. Accidentals affect all notes on the same staff position for the remainder of the measure in which they occur, but they can be canceled by another accidental. - Anacrusis (Pickup Measure)
- Incomplete first measure of a piece or a section of a piece of music.
See →Create new score, Time Signature... - Appoggiatura
- A long grace note. See →grace note
- Bar Lines
- Vertical line through a staff or the system that separates measures .
- Beam
- Notes with a duration of an eighth or smaller either carry a flag or a beam. Beams are used for grouping notes.
- BPM
- See →metronome mark
- Breve
- A double whole note or breve is a note that has the duration of two whole notes.
- Chord
- The minimal definition of a chord is a minimum of two different notes played together. Chords are based on the choices made by a composer between harmonics of one, two or three (and more) fundamental sounds. Ex. In the chord of C, G is the second harmonic, E the fourth of the fundamental C. Now in C7, the B flat is the 6th harmonic of C and in C Maj7 B is the second harmonic of E and the fourth harmonic of G...
- Clef
- Sign at the beginning of the Staff, used to tell which are the musical notes on the lines and between the lines.
There are 2 F Clefs, 4 C Clefs and 2 G Clefs: F third, F fourth, C first, C second, C third, C fourth, G first, G second (known as treble key too).
G first and F fourth are equivalent.
Clefs are very useful for transposition. - Crotchet
- A crotchet is the British English term for what is called a quarter note in American English. It's a quarter of the duration of a whole note (semibreve).
- Demisemiquaver
- Thirty-second note
- Duplet (engl.)
- See →tuplet
- Eighth note
- A note whose duration is an eighth of a whole note (semibreve). Same as British quaver.
- Flag
- See →beam .
- accidental
- Sign that indicates that the pitch of a note has to be lowered one semitone.
- Grace note
- Grace notes appear as small notes in front of a normal-sized main note. A short grace note (acciaccatura) has a stroke through the stem; a long grace note (appoggiatura) does not.
- Half Note
- A note whose duration is half of a whole note (semibreve). Same as British minim.
- Hemidemisemiquaver
- Sixty-fourth note
- Key Signature
- Set of sharps or flats at the beginning of the staves. It gives an idea about the tonality and avoids repeating those signs all along the staff.
A key signature with B flat means F major or D minor tonality. - Koron
- An Iranian accidental
which means lower in pitch and it lowers a note by a quarter tone (In comparison to the flat
which lowers a note by a semitone). It is possible to use this accidental in a key signature
.
See also →sori . - Longa
- A longa is a quadruple whole note.
- Metronome mark
- Metronome marks are usually given by a note length equaling a certain playback speed in bpm. Beats per minute (BPM) is the unit for measuring tempo. In MuseScore, metronome marks are used in tempo .
- Minim
- A minim is the British term for a half note. It has half the duration of a whole note (semibreve).
- accidental
- A natural is a sign that cancels a previous alteration on notes of the same pitch.
- Part
- Music to be played or sang by one or a group of musicians. In a string quartet, 1st part = Violin 1, 2nd part = Violin 2, 3rd part = Alto, 4th part = Cello.
- Quaver
- The British quaver is what is called in American eighth note. It has an eighth the duration of a whole note.
- Quadruplet
- See →tuplet
- Quintuplet
- See →tuplet
- Rests
- Interval of silence of a specified duration.
- Semibreve
- A semibreve is the British term for a whole note. It lasts a whole measure in 4/4 time.
- Semiquaver
- Sixteenth note
- Semihemidemisemiquaver (Quasihemidemisemiquaver)
- Hundred twenty-eighth note.
- Sextuplet
- See →tuplet
- Sharp
- Sign that indicates that the pitch of a note has to be raised one semitone.
- Slur
- Tie and Slur are two words used to describe a curved line between two or more notes. Slur means that the notes will be played without attack ( legato ). Tie is used between two or three ( rare ) of the same notes to indicate its duration:
Quarter note + Tie + Quarter note = Half note,
Quarter note + Tie + Eighth note = Dotted Quarter note
Quarter note + Tie + Eighth note + Tie + 16th note = Double Dotted Quarter note - Sori
- An Iranian accidental
which means higher in pitch and it raises a note by a quarter tone (In comparison to the sharp
which raises a note by a semitone). It is possible to use this accidental in a key signature
.
See →koron . - Staff (Staves)
- Group of one to five horizontal lines used to lay on musical signs. In ancient music notation (before 11th century) the staff may have any number of lines.
- System
- System: Set of staves to be read simultaneously in a score.
Operating System (OS): Set of programs written in the aim to set up a computer from a lot of electronic components. Popular OS are Microsoft Windows, Mac OS X, and GNU/Linux. - Tie
- See →slur .
- Triplet (engl.)
- See →tuplet .
- Transposition
- The tonality is quite meaningless: a tune can be played in any tonality. The slight difference will be a darker or a more brilliant sound. But there are many technical reasons to change the tonality of a score:
- The tune is too low or too high for a singer.
- The score is written for a C instrument and has to be played by a B Flat one.
- The score is written for an orchestra and you want to imagine what the horn, the flute and the clarinet are playing.
- - In the first case all the orchestra will have to transpose: it's quite a impossible to do it without professional musicians but Musescore can do it very easily for you.
- In the second case the musician must play D when a C is written. If the score is written with a G 2nd Clef, he'll have to think that the staff begins with a C 3rd Clef.
- In the third case the conductor has to transpose all the staves which are not written for C instruments...
- In all cases the key signature must be mentally changed...
Now, you must know that on some instruments (Horns and Tubas for instance) the musicians transpose using alternative fingerings. - Tuplet
- A tuplet divides it's next higher note value by a number of notes other than given by the time signature. For example a triplet divides the next higher note value into three parts, rather than two. Tuplets may be: triplets, duplets, quintuplet, and other.
- Velocity
- The velocity property of a note controls how loudly the note is played. This usage of the term comes from MIDI syntheiszers. On a keyboard instrument, it is the speed with which a key is pressed that controls its volume. The usual scale for velocity is 0 (silent) to 127 (maximum).
- Voice
- Polyphonic instruments like Keyboards, Violins, or Drums need to write notes of different duration at the same time on the same Staff. To write such things each horizontal succession of notes has to be written on the staff independently.
- Volta
- In a repeated section of music, it is common for the last few measures of the section to differ. Markings called voltas are used to indicate how the section is to be ended each time. These markings are often referred to simply as endings.