Transpose only a section of the score - First time user

• Feb 13, 2015 - 07:23

I'm a first-time user. I'm using 2.0 Beta.
If I highlight one section (a verse) of my score and click Notes/Transpose and select the key, it transposes the whole score, not just the particular bars I highlighted.
I entered the sheet music for one verse, copied it four times, and want to change each of the verses into a different key.
What am I doing wrong?


Comments

Thanks for reporting this bug Colin. I tried to reproduce this bug with a MuseScore nightly build but I can't so it seems to be fixed. So with that we can confirm Jojo's first comment.

Fyi The nightly builds are MuseScore packages which are made available from the very latest code. Not sure that makes it clear but if you want to check out the nightly build, you can get it from http://musescore.org/en/download#Nightly-versions

Welcome on board!

In reply to by Thomas

I tried downloading the most recent nightly build. With MuseScore 2.0 Beta, to select a bar I just clicked and held over the bar, then shift/click (if I remember) to the bar I want to highlight to. With the monthly build, if I click and hold a menu appears: Stave (pianoroll editor, stave properties, split stave), Bar (paste, delete, insert one bar, bar properties, object debugger). I am new, so I may not be remembering correctly how I higlighted all of a selection of bars previously, or the procedure may be different in the nightly builds version. How can I select a group of bars, including the guitar chord names, lyrics and notes on two staves? It seemed easy when I did it a few days ago.

In reply to by xavierjazz

You're right I'm sure. What am I aiming to click in order to select a bar? I have guitar chord names, treble and bass cleff and lyrics. Am I clicking on a stave (but that's where the notes and rests are)? Between the staves (but that's where the lyrics are)? Any advice of where I'm trying to hit?!

In reply to by Jojo-Schmitz

I'm using a touch screen and my bars are full of voices, lyrics and chord names so it feels too difficult to select a bar without selecting something or other else instead.
If I try zooming in on the bar to make more space to click, it seems to jump to move the bar to somewhere else on the page, or even the previous page. Also if I zoom in and click I then loose that selection when I try to drag to move to another bar and shift click. If I zoom out so that both start and finish bars of the desired selection are in view simultaneously it hightens the problem selecting a bar without selecting something inside the bar instead.
I've not mastered this.
JoJo, when you say 'into the bar', what do you mean? On a stave within the bar? Between the two staves? They've all got other selectable things there.

In reply to by ColinT

You are supposed to click an empty spot on the staff. Zooming in shouldn't jump unnecessarily, but on the other hand, it can't read your mind either about what bar you are interested in, and obviously, the result of zooming in is that bars will be in different palces on the screen (further apart), so sometimes it may have to jump to keep the bar it *thinks* you care about on screen. Also, be aware there are different ways of zooming, and they can behave differently, so if you aren't liking one behavior, try another method. There is the Zoom drop down menu in the toolbar, there is the keyboard shortcut Ctrl+"+", and there is Ctrl+(mouse wheel).

Anyhow, none of this should actually matter - you don't *have* to find an empty spot to click. Click then Shift+click works just as well clickings notes rather than empty spots in bars. So click the first note of the first bar, Shift+click the last note of the last bar. Or, as I said, use the standard keyboard shortcuts.

In reply to by Marc Sabatella

This question is related some what. Let's say I have a score with twelve staves and I want to transpose all but the third stave. How is that done easily. After reading the Handbook it seams I have to select all the staves individually. Or maybe there is a different way. It seams to me a "Reverse Selection" would make it easy.

In reply to by rwmol

The suggestion above should indeed work. Or, first select staves 1-2, transpose them, then 4-N.

But I'm scratching my head trying to image what musical situation would lead to this need. Did you perhaps already transpose the third staff but forgot to transpose the others, and now you are trying to correct that error? If so, then this would indeed be how to do it. But I have a feeling whatever it is you are actually trying to do, there might be a more straightforward answer (eg, simply using the built in "Concert Pitch" facility if your reason for transposing is just the ordinary instrument sort).

In reply to by Marc Sabatella

I knew I would get a response from the silly example. Actually, it's a score that has on independent save that's a bass line. I want to transpose it to various instrument but leave the bass line in its key. The answer provided works even-though in requires two transpositions.

In reply to by rwmol

No, *zero* transpositions if you use Concert Pitch. So this is why I said it would help if you described in more detsail what you are actually trying to do - ideally, posting the score you are having problems with. But in general, if you have a score for, say, trumept, alto sax, and bass, you would *never* need to transpose anything just to get the trumept and alto sax to display properly. You'd simly press the Concert Pitch button and everything happens automatically. Concert Pitch on = everything displays at sounding pitch; Concert Pitch off = everything displays at written pitch. All handled automatically.

In reply to by Marc Sabatella

I understand that. It certainly applies if you have all the instruments on one score. I want to cut down on the number of pages. If my score has only two instrument, piano and bass, that score will go to the "C" instrument gig book. I will then just transpose the "C" instrument part to each individual horn leaving the bass at concert pitch. I know, seems like a lot of work but just the way I want it. After all, I'm retired with lots of time on my hands. I get a lot of enjoyment out of this type of thing.

In reply to by rwmol

Ah yes, I do understand that, and sometimes produce my lead sheets much the same way. But then, the bass staff is normally on the bottom, so it doesn't take two separate transpose operations. Your original post made it seem you had one staff in the middle of the score that wouldn't be tranposed.

I've been experimenting with transposing lead sheets by changing the instrument in staff properties rather than actually transposing. The advantage is, I only need to save one copy of the score to have both concert & Bb versions. But I lose the ability to have my chords spelled differently (eg, I might want B7 in concert pitch but Db7 rather than C#7 in the Bb chart if it's acting as a tritone substitution). Some day I guess I will try to implement separate spellings.

Something else worth trying is having separate staves and hiding the ones that aren't relevant using the Instruments dialog. That would at least allow me to keep concert, Bb, and Eb versions of lead sheets in one file. Hmm, or have those be *parts*, except then I'd have to apply the line breaks and other formatting multiple times. Lots of possible ways to go about this, each with compromises.

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