Stem/beam conflict

• May 1, 2016 - 20:29

See attached:
1. Write Voice one line.
2. Add rest and 1/8 in Voice 2. Voice 1 beam reverses position, 1 + 2 appear as separate voices.
3. Select voice 1 sixteenth beam and press "x".

Hoped for result: The conflict between the beam and the stem would be respoved automatically, stem flag would disappear and stem would adjust to beam.

At this point I would like to see

Attachment Size
MS2example.mscz 5.96 KB

Comments

In reply to by xavierjazz

If you are *not* in note input mode, selecting a note then pressing a voice button will attempt to move the note into the selected voice. This feature is new with MuseScore 2, but it will fail if there is any sort of complication though, and in this case, the tie is the complication. If you temporarily remove the tie, then select the low A, then send it to voice 1 in this manner, it works. You can then re-add the tie.

But if that's the result you want, again, easier to just not use multiple voices in that first measure at all. Enter the two measures without the tie betweens the lower A's, then add the tie.

In reply to by Shoichi

If that's the desired result, then indeed, that's the way to do it. The way to make two notes look like they are in the same voice is to actually *enter* them into the same voice. If the goal is for them for be in separate voices, they should actually look distinct, regardless of stem direction.

I guess the fact that they are tied to notes that have to be in different voices makes it seem like you might need the notes at the start of the tie to also be in different vocies, but this is not the case. You can tie notes from vocie 1 to voice 2, thus eliminating the need for multiple voices at all in the first measure.

I'm not quite understanding what you are saying. The description refers to a sixteenth beam but I don't see any sixteenths in the example. Is that maybe the wrong sample score?

I'm guessing you want voice 2 notes that happen to have stems in the same direction as voice 1 notes to somehow "merge" with together, but this would make writing more than two voices next to impossible, if I'm understanding you correctly. It's normally important each voice remain distinct so you can have up to four visually independent voices. Ideally, we should actually offset one note when you have notes in different vocies at the same time with the same stem direction - they should't overlap *at all*. But because it is easier to do this offset manually than it is to remove it manually if you have some unusual special situation where you *don't* want the notes visually distinct, and because it is difficult to automatically sort out all the special cases that can occur, we opted for now to allow the notes to overlap.

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