Cross Staf Beaming Bug and Tuplet Question

• Feb 27, 2011 - 11:52

Hi all,

just new to MuseScore and absolutely love it. I'm teaching a subject at Music College in Belgium called "Musical Application Software". They used to teach the basics of Sibelius, but now we've switched to MuseScore and we're trying to achieve the same results.

Untill now, that all seemed possible, but as the scores become more complex, it gets a little harder :)

I'm trying to transcribe Chopin's Prelude No 14, Opus 28. A bit complex since there are a lot of "hidden" second voices, merging with the first voice in the left hand. MuseScore handled that surprisingly well, but now I'm stuck in bar three with the cross-staff beaming.
I've seen this bug being reported here (http://musescore.org/en/node/4668) on the 14the of February 2010, almost a year ago and wonder if it's still in. When I double click the beam and drag it down (as to not have the beam between the staves), the "second beam" of the 16th notes is positioned underneath the first beam (while of course this souldn't happen).
Is there a workaround for this problem?

Second question: you say the septolete in the last bar: it's made up of 16th notes. To me this seems logical, since they replace one quarter note, but all the "original" scores I've found online display this septolete as a septolete of 8th notes... While mathematically incorrect, I wonder (why they did it this way, but let's forget that question for now :-)) if there's a way I can change the 16th notes to 8th notes?

Two problems, any ideas?
Thanks in advance!

Curls

Attachment Size
Chopin - Original Score.png 50.91 KB
PreludeNo14.mscz 3.12 KB

Comments

Hi already once again,

just managed to solve the last problem (regarding the septolete that should be in eight notes). Look around a bit and found out about measure operations. Changed the "actual measure" to 5/4 and made a septolete of the last two beats. Pretty incredible, don't think Sibelius is capable of doing this in such an elegant way :-)

But I'm still left with the wrong cross-beam. Would be great if this one could be solved also!

Thanks in advance!

C

In 1.0 at least, you can force a tuplet to be something other than what might musical sense using notes>-tuplets->other. If you want to cram 7 eighth notes into the space normally taken up by two, as was done in the Chopin example, you'd just enter 7 and 2 in the boxes within the dialog that appears. This strikes me as preferable to messing with measure properties for this purpose.

The cross-staff beaming still looks broken in this case, though.

In reply to by [DELETED] 5

Keep in mind that the cross-staff notation of this example isn't the only way of depicting this passage. In the numerous traditionally engraved editions I've seen from major music publishers, it's done in various alternative ways that include (1) use of ledger lines, and (2) inserting a clef change that reassigns the lower staff to the treble clef.

I understand that if the point of this exercise is to reproduce an engraved score exactly, these alternative methods won't help you. Still, I thought it might be worth pointing out; I know from using many categories of productivity software that it's wiser to bend to accommodate the limitations of the program rather than simulate something via a workaround that's not implemented in the present feature set.

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