Hi everyone!

This week I had a bit less time to work than I expected — I had to finish my master work, and it took a bit longer than I supposed before. Anyway I finished it and could finally start my work on this score comparison project.

The first week was reserved in my plans for the preparatory work which would allow me to focus fully or almost fully on the work on the first part of my project:

This is my weekly update on my Google Summer of Code project. There will be three parts of this blog post: what I did, what had issues, and what is next. Then, I will end it with a question that I need answered for part of the project.

What I did

• New project scope

  • MarcSabatella decided that my original project scope was too large and not all relevent. So, I have spent the past week revising and reducing the scope

Hey! :D
I have started working on the project. During the Proposal time, I worked on porting the changes from the imeta to the master branch of MuseScore. After that, during the Community Bonding period, I had discussions with Lasconic and Herve about the various issues that are there currently with the annotations and how do we want them in the XML. One by one, for a couple of issues, I got deeper into the codebase to understand the working

Hello!

I am Dmitri Ovodok, a master student in Saint Petersburg State University, and I am pleased to participate in this year's Google Summer of Code with MuseScore.

While working on a score one may often need to compare different version of the mastered score and identify those parts that were changed in it. One may also want to have a more convenient way to compare different scores, e.g. different arrangements of the same composition.

My GSoC project will be

Hello! My name is Joshua Bonn and I am starting work on my project as a part of Google Summer of Code 2018. My project is called Beginner Mode and Tutorial Creation. The purpose of this post is to start communication with the community on this project as well as receive feedback and ideas for the project. Please read the note below the bio for information about project changes.

Bio

First, let me tell you a bit about myself.
I

Greetings,
I am Animesh Tewari, a Computer Science undergraduate at Jaypee Institute of Information Technology, Noida.
About to begin this awesome journey of GSoC with MuseScore.

Project Goal:
The basic idea would be to support the current scenario of Audiveris OMR integration with MuseScore by accumulating a large correct dataset. The OMR needs to be successfully trained on a large dataset so that it can provide precise outputs which will help the Music community. To carry out this task, a

For those who do not know who I am, my name is Elwin, I was more active a few years back, and some of you older members know my piece "The Clowns". A lot of things have changed since then. I have decided to post a comparison of MuseScore, plus a few known ones out there, including Finale, and the new software, Dorico. I have looked at these Softwares as best as I could, but I have not tried all

One way to get involved with OpenScore is by transcribing a piece on your own. This is a good option if you prefer to work independently and are reasonably confident in your abilities as a transcriber. (If you are less confident then you might prefer to sign-up to take part in a group transcription first, but bear in mind that you might have to wait a while before a place becomes available.) If you transcribe a piece on your own

A template score is simply an empty score (no notes or symbols added) but with the correct title, composer, and all the right instruments added. Creating a template score is the first step to starting a transcription. You must create a template score before you can reserve a piece to transcribe for OpenScore.

Guidelines for template scores

Music is full of special cases so it may not be possible or appropriate to follow these guidelines in all situations. Ask if

The source edition is the score (usually a PDF file) that you are basing your transcription on. You must choose a source edition before you can reserve a piece to transcribe for OpenScore.

Rules for source editions

The source edition used for all OpenScore transcriptions:

• must be available on IMSLP
  • If an edition is not on IMSLP but is available elsewhere then consider uploading it to IMSLP yourself.

• must be in the public domain worldwide (in all major countries/regions)

  • We