About time signature and beats per minute

• May 24, 2012 - 08:01

Using common time (4/4) 60 BPM (beats per minute) indicate that there should be 60 crotchet beats (quarter notes) per minute. But 60 BPM in cut time (2/2, "Alla breve") indicate that there should be 60 half notes per minute (1 beat = 1 half note), and 60 BPM using 3/8 indicate 60 eight notes per minute (1 beat = 1 half note).
On the contrary, in MuseScore the beat is always referred as a quarter note: I'm right?
Best regards
Antonio


Comments

In reply to by Jojo-Schmitz

Well that is partially correct.

In the score MuseScore does recognise the differences between crotchet, minim and quaver beats, but the internal synthesiser, like all other MIDI devices I have known, counts bpm in crotchets. This is because the MIDI protocol defines the passage of time in ticks per quarter note.

I hope eventually MuseScore will automatically adjust the playback bpm to coincide with the defined time signature. The development team have other work to do first, however.

There is a known discrepancy with Cut Time where the actual time signature remains at 4/4 rather than 2/2 which I hope the development team are going to correct in the new (2.0) version due for release later this year (we hope).

HTH
Michael

Sorry, I just noticed this older post today, but I've had the same question on my mind for quite some time, as I've noticed the discrepancies, too. I'm now wondering how the next version of MuseScore will interpret and play back my existing .MSCZ files. For tempo text, I've been using the BPM rate indicated by MuseScore, e.g. 132 BPM, etc., instead of the traditional Italian markings. Will I need to change the text and/or the actual BPM rates in each score?

This gets a bit more confusing for me when I use compound time signatures. A piece in 12/8 time, for example, often has the feel of a piece that uses the dotted quarter note as the beat unit, with the beat subdivided into three eighth notes, much like 4/4 with triplets.

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