Moving the position of F#
For reasons that I don't really understand, Hungarians feel that in a key signature the F# should be on the lowest space of the treble cleff rather than on the top line. I am copying over some Hungarian music and I would like to do it the way that the composer wanted it. Is there any way to move just the F# without moving all the rest of the sharps in a key signature?
I have attatched an image of how the A-maj/F#-min key signature would look.