"lines" and sound produced where they are present
When playing measures linked by lines, I expect the sound generated to be continuous (i.e. legato), whereas I hear it accentuated every time it handles a new note.
Are my expectations misplaced or is it an issue?
The attached file containing a motet from Guillaume de Machaut provides you with an example of what I mean. The first three measures of the "teneur" for instance or even further on.
|Machaut - Qui es promesses Ha! Fortune Et non est qui adjuvet.mscz||25.52 KB|