"Melisma" for Roman numerals analysis
Hi,
I'd like to achieve this:
Is this possible ? I tried to use the same approach as for lyric's melisma, but it doesn't work:
Any other approach ?
Thanks
Hi,
I'd like to achieve this:
Is this possible ? I tried to use the same approach as for lyric's melisma, but it doesn't work:
Any other approach ?
Thanks
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Comments
That looks like a mashup of RNA and figured bass. It makes little sense in either notation.
For example, in measure 2 to your harmony is the tonic chord I in root position. in measure 2 it it IV in 2nd inversion. not the tonic chord in 2nd inversion. What would those lines that you want mean?
See https://musescore.org/en/handbook/4/figured-bass and https://musescore.org/en/handbook/4/chord-symbols#enter-rna and in particular read the first line "Not to be confused with Figured bass."
In reply to That looks like a mashup of… by SteveBlower
I guess you mean this :
But this leads to confusion, because a IV usually belongs to the the Sub-Dominant area, while in the measure 3, the IV belongs to the Tonic Area, as a Neighbour chord between to I's.
The same applies for the I64 in measure 5. It does not act as a Tonic chord but as a Arpegiating Dominant chord.
The expected notation for such cases is the one in my initial comment (at least following my musical analysis teacher and the Clendinning/Marvin's Theory and Analysis book):
Arpegiating Dominant chord:
a Neighbour chord:
Besides, the lines also emphasis the expected voice leading.
PS: Of course, this is only valid with the lines. This would be false:
In reply to I guess you mean this : … by parkingb
Feature request on GitHub