Hi,
this week is the midterm week. So half the work should be done. I think we're pretty good. All things I wanted to do to Fluidsynth are there and working and just need a little polishing :) And we're doing very good on Zerberus. I think we would be able to ditch Fluidsynth by the end of this GSoC in favor of Zerberus. That would mean a lot more flexibility for soundfont designers and ease of use for users
Hi,
I wanted to show you some of the progress of Zerberus. For these examples I used the SSO sfz soundfont. But I would like you to tell me which other soundfonts might be interesting to play with?
So I wanted to show how important looping is and so I took something slow - and what could be better than Samuel Barber's Adagio for Strings? I used this score.
So here is it in MuseScore 2.0.3 and here my
Read moreThis was my fourth week working on note entry with MuseScore for Google Summer of Code. Last week I began the task of analysing the user's realtime input to make it look more like actual music. This week I reached what is probably the most difficult aspect of the analysis - the separation of overlapping notes into different voices.
Hello,
This week I made a PR with the implementation of the basic text annotation. Here is the link :
https://github.com/musescore/MuseScore/pull/2666
There are a few commits within the PR which correspond to different "versions" of the implementation.
The first version creates a staff text and just uses a different style for an annotation to distinguish it from a staff text. However, the goal was to have a new element for annotation.
This is done in the latest commit.
There were
Hi everyone,
this week was about improving Zerberus even more! It now supports sfz 1 volume envelopes. So the most important features are there. I hope I can show it to you in one of the next blog post what it sounds like now!
I also investigated more on the legato side (as the post from yesterday shows) I also implemented the feature that the sound bends (pitchwise) to the next one - which sounds quite good for strings for
Read moreThis week I finished the GUI for the new excerptsdialog. This is an important step, because it is now possible to test the function with different scores and choose the voices individually.
My actual PR.
As already said I finished the GUI. I didn't had much problems with it, but it was quite a big change on the dialog, so it did take its time. Major change was to use QTreeWidgetItems instead of QListItems for the actual parts
Read moreHi,
last couple of days I was investigating in legato realization since Isaac Weiss was not happy with the current sound and I also thought that there might be some improvement. Even though I didn't found it as problematic as him. But here are my results on that topic. This post uses a lot of spectrograms - if you're unfamiliar with this type of diagrams you might have a look here.
A spectrogram basically displays frequency on the y-axis
Read moreSo, I realized that it had been quite a while since I wrote part 3. It was simply a variety of reasons why there was a gap. If you didn't read part 3 or the other parts, I encourage you to read them.
I also came to realize that this is my first blog post of the summer. I'm glad it's the summer time. For a while, I sort of had flashbacks of school, I had the mentality I had
Read moreHello,
The class design for annotation has been more or less finalized. I have made a few changes to the one posted last week. Apart from that, the next goal is to create a working implementation of a basic version of an annotation, of type text and attached to a segment.
This would be indistinguishable from staff text except that it would have it's own text style.
I've implemented most of it, and have to set up the command and
Hello everyone,
I did a little screencast explaining things about single note crescendo. Have fun watching!
EDIT: Something went wrong with the first upload (it was missing some seconds at the end) I did a reupload and change URL above!
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