articulation that have horizontal offset gets misaligned when explode
If I take the attached:
And explode, the result is:
But the fermatas aren't lined up for the bottom two notes. Their horizontal offsets are changed to be different from what it was originally.
I'm thinking that if explode, should zero the horizontal offsets for the newly-created articulations.
| Attachment | Size |
|---|---|
| fermata-misaligned.mscx | 10.75 KB |
Comments
because of: fermata's position already changed, in attached score. (H:-0.21 V:0.15)
before expanding, open inspector (F8) and reset to original position (horizontal and vertical)
![fermata-mis.png]( "fermata-mis.png")
corrected and expanded result:
In reply to because of: fermata's by Ziya Mete Demircan
good catch, even if that actually is what the title says ;-)
In reply to good catch, even if that by Jojo-Schmitz
Cited :)
In reply to because of: fermata's by Ziya Mete Demircan
I already know that. I had said "I'm thinking that if explode, should zero the horizontal offsets for the newly-created articulations." Do you not agree with my statement here?
In reply to I already know that. I had by ericfontainejazz
O.K. (It is not completely clear in the first question. The first question seemed to be asking for help.)
May be something like this, is better:
Suggestion:
If there is an articulation on the exploded notes, and the position values of this articulation have been previously changed; the position value of the newly created articulations must be set to "default".
In reply to O.K. (It is not completely by Ziya Mete Demircan
Why? If I change the offset, this is for a reason. So I don't want it changed.
In reply to Why? If I change the offset, by Jojo-Schmitz
see my comment below. They actually aren't offset in the same way as original.
The problem is that the resulting offsets are not consistently applied. I would be ok if the original offset was +X from the initial chordrest and then the resulting offset was +X for every newly created articulation. But the new offset seems to be somehow additionally offset based on how that note was appearing in the original chord...notice how the bottom A# and G# have their fermata much further right than the top two notes do.