I would guess it means transposing it down a few steps to adapt to a male choir range, and then change the clefs for the tenor staff(s) to either tenor clef or "treble clef with octave"
The most common simple procedure is as follows - I have done this myself and I have seen this also from publishers who pubslish the same piece in SATB and TTBB
1) Map the four voices
- S to T1 (usual the melody) one octave lower
- A to B1 one octave lower
- T to T2
- B to B2 (the foundation)
2) check how ranges fit for the new voices and possibly transpose to get better fit.
3) re-arrange passages where you have extreme lows or highs that are beyond the ranges to cut the peaks
Comments
yes
In reply to yes by AndreasKågedal
This basically is transposing (S and A ) by an octave, easily done
In reply to This basically is… by Jojo-Schmitz
I would guess it means transposing it down a few steps to adapt to a male choir range, and then change the clefs for the tenor staff(s) to either tenor clef or "treble clef with octave"
The most common simple procedure is as follows - I have done this myself and I have seen this also from publishers who pubslish the same piece in SATB and TTBB
1) Map the four voices
- S to T1 (usual the melody) one octave lower
- A to B1 one octave lower
- T to T2
- B to B2 (the foundation)
2) check how ranges fit for the new voices and possibly transpose to get better fit.
3) re-arrange passages where you have extreme lows or highs that are beyond the ranges to cut the peaks