Distortion of accompaniment
I have been trying to write something new, and decided to use the oom pah oom pah accompaniment. I have heard some pieces that also do this but they have the accompaniment distorted for a bit. I dont know exactly how I should describe it, but basically the bass notes are perfectly in rhythm but the chords are played just a little later then it should. I have managed this effect in the file down below.
Even though I have achieved the same rhythm, I don't think I am doing it right. Does anyone what notation could be used to indicate that this rhythm should be used? I have been thinking about it, and I think that you could also get the same effect by turning every single "oom pah" in a triplet where the first note is the bass note and the third note would be where the chord starts to be played.
Hopefully someone can help me with this. Thanks in advance.
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