Should I update to achieve more accurate transpositions?
I am still using version 0.9.6, which has been fine for me since I only do lead sheets and it seems simple to use. But I notice on a project in which I have had to do multiple transpositions, that they are often not done accurately.
Am I correct that this was sometimes a problem with that version, and if so, has the problem been corrected in subsequent versions?
Also, another question: On the Transposition page, there is a choice to be made between Double sharps and flats, or Single sharps and flats only. "Double" is the default, but I always change it to "Single" because I don't understand what the effect of choosing "Double" would be. Can someone please enlighten me ?
Thanks for any help,
Don Coyne
Comments
As far a double or single only is concerned. If you select single only, then transposition would change any doubles to the corresponding natural (Bbb = A for example).
Version 0.9.6 ?!?!?!?!?!?!? You've had that a while. Since I didn't use anything before 1.3 and don't do lead sheets, I'm not sure what the benefits of upgrading would be. It's possible that version is sufficient with few improvements, but I'm sure someone who knows will have input.
Double sharps (and flats) are inevitable in the some Keys (especially minor).
Example: G# minor harmonic. (Relevant to B Major)
G# A# B C# D# E Fx G# (Fx = F##)
sansible (leading-tone, 7th degree of G# harmonic minor scale) is f##.
If you want to avoid this, the software will write G instead of Fx. (Theoretically not the right notation.)
Or when you are in E-minor, in melodic line, you have "d, db, c".
When transposing to the Eb minor, the result will be "db dbb cb".
If you want to avoid this, the software writes "db c cb". (dbb <=>c is enharmonic) // ( again: Theoretically not the right notation.)
This is what is mentioned in the transposition section.
In reply to Double sharps (and flats)… by Ziya Mete Demircan
Thanks for elucidating. I guess I will continue to select "Single," even though it might not be theoretically correct, since it avoids having to translate in my mind when composing on a piano.
And thanks to everybody for all the answers.
You should definitely upgrade... MuseScore 0.9.6.x has been released in 2010, 7 years ago... A lot of work and effort has been put into the different versions, it should be night and day, even if you are only doing leadsheets.
In reply to You should definitely… by [DELETED] 5
And actually, some of the biggest improvements specifically have to do with lead sheets - far more flexible and better-rendering chord symbols, slash notation, greatly expanded MuseJazz font, tools for adding line breaks, etc.
From my perspective...
I still use lead sheets printed back when 0.9.6 was current. (Plastic sheet protectors used in a 3 ring binder.)
Here's a scan of an excerpt from one of my 0.9.6 scores:
If you look closely, you'll notice that the flat signs in the chord names are not all the same. Each substitute chord (with parentheses) does not display a 'legitimate' flat sign, which means that it will not change should the entire score be transposed to a different key. (For those substitute chords, I used a Windows font called Comic Sans MS to make the 'unrecognized' chords look similar to the 'actual' MuseScore chordname font.)
Also, back in the 0.9.6 days, there were a number of chord .xml files, each of which recognized a variant spelling of a chord name. A user had to select among 'styles' of chord spellings and enter chordnames accurately -- many times with his fingers crossed: if typing a lower case letter produced a capital letter; and typing a 'b' produced a flat sign; and typing a '#' produced a sharp sign, all was well. (Sometimes the chord file had to be opened in MuseScore just to check how the chord should be properly spelled in order to be recognized.)
Since those days, I have migrated that very score through subsequent versions of MuseScore.
Today, that same snippet looks like this:
(BTW: This picture was taken with the MuseScore image capture feature.)
See? The flat signs are all recognized. The font is truly the same for all the chords; and everything transposes correctly, if needed. This happened 'automagically' -- actually, here's where Marc takes a bow ;-)
So... the chord parser alone was one giant leap forward.
Also, if your lead sheets are akin to 'songbook-style' sheets, nowadays there is a fretboard diagram feature.
Whew! ...This is only a modest example of what has improved since 0.9.6 !!!
P.S. For you, though, there might be a learning curve. For example, the spacebar is no longer used for entering rests. (It starts/stops playback - similar to contemporary A/V software.)
Also, there's this thing called THE INSPECTOR... yikes!
Regards.
In reply to From my perspective… by Jm6stringer
Thanks. You have specifically addressed my subject line question. I now have downloaded the latest version, and it seems as though my problem has been solved!